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Diary of the Dead

Blu-Ray Review: Great Release For ‘George A. Romero’s Survival of the Dead’

Survival of the Dead

CHICAGO – It pains me to point out the flaws of “George A. Romero’s Survival of the Dead.” Two of the most influential movies in my entire life are “Night of the Living Dead” and “Dawn of the Dead” and I could write a book on the importance of one of the most essential horror directors of all time. But, despite a fantastic Blu-ray release, “Survival of the Dead” disappoints.

Horror Master George A. Romero Reveals Veteran Zombie Lock in ‘Diary of the Dead’

CHICAGO – Master horror filmmaker George A. Romero is back for the fifth installment of his “Dead” series as what began with 1968’s “Night of the Living Dead” has fast-forwarded to “Diary of the Dead”. This time, Romero takes on the modern soul deadening of staring at screens and includes the constant navel gazing of videotaping, computers and the instant playback that has become our lives.

Patrons Transformed Into Zombies at Chicago ‘Diary of the Dead’ Screening

CHICAGO – At the Chicago screening on Thursday for “Diary of the Dead” from horror master George A. Romero, willing patrons were transformed into zombies by a makeup and body paint artist. The Chicago publicist for the film has provided us with photos of the transformations.

Production Stills Surface For George A. Romero’s ‘Diary of the Dead’

CHICAGO – The Weinstein Company has released 11 new production stills for George A. Romero’s “Diary of the Dead,” which will show at the Sundance Film Festival later this month and hits limited U.S. theaters on Feb. 15.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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