CHICAGO – Love is a powerful enough force to transcend any obstacle that you may put in its path.
Interview
Director Eugene Jarecki Crowns Elvis Presley ‘The King’
Submitted by PatrickMcD on July 20, 2018 - 11:07am Rating: 5.0/5.0 |
CHICAGO – Elvis Presley, besides being one of the most famous entertainers of the 20th Century, does symbolize to an extent what can happen to icons when they turn towards certain directions in a career. Director Eugene Jarecki has created an amazing documentary about Elvis called “The King,” that uses his rise and decline as a symbol for the American Dream.
‘Don’t Breathe’ is a Terrifying Sensory Experience
Submitted by PatrickMcD on August 27, 2016 - 5:18pm Rating: 4.5/5.0 |
CHICAGO – The horror genre can be a complex creature. The great films can show you the difference between ‘horror’ and ‘terror’. Some horror is all shock and no substance, while terror can be all fear, but no shock. The difference between them is so nuanced that only a skilled director, like Fede Alvarez, can show you the difference in his latest film, “Don’t Breathe.”
An Age Range of Human Conditions in ‘While We’re Young’
Submitted by PatrickMcD on April 3, 2015 - 7:21pmRating: 4.5/5.0 |
CHICAGO – We’re born, we’re nurtured, we seek purpose and we die. In between there are a million decisions between the words of that opening sentence, and writer/director Noah Baumbach understands that intuitively in his great new film, “While We’re Young.”
Jeff Garlin Directs Inconsistent ‘Dealin’ with Idiots’
Submitted by PatrickMcD on July 12, 2013 - 4:22pm Rating: 3.0/5.0 |
CHICAGO – Jeff Garlin has created a good “character” in TV and films – a gruff but affable schlemiel that ambles through life as if distracted. He amplifies that role in his latest comedy, “Dealin’ with Idiots,’ but the loose improvisation style has too many unfunny stretches and an unpleasant spirit.
Mystery of Stanley Kubrick Explored in ‘Room 237’
Submitted by PatrickMcD on April 6, 2013 - 6:57am Rating: 4.0/5.0 |
CHICAGO – Every film buff remembers the first time they laid eyes on director Stanley Kubrick’s memorable horror classic, “The Shining.” In the film, Scatman Crothers’ character warns young Danny, “There ain’t nothing in Room 237…so stay out.” Filmmaker Rodney Ascher has ignored that warning in his documentary, “Room 237,” and takes us inside one of the most analyzed films in cinema history.
Visceral ‘On the Road’ Honors a Great American Novel
Submitted by PatrickMcD on March 23, 2013 - 6:01amRating: 4.0/5.0 |
CHICAGO – The 1957 novel “On the Road” by Jack Kerouac, was a missile across the bow of American social conventions, and a precursor to the radical 1960s. For over fifty years, it has eluded a film adaptation, until director Walter Salles (“The Motorcycle Diaries”) found the way to capture it.
Comedy, Breeding Don’t Mix in Lame ‘The Babymakers’
Submitted by PatrickMcD on August 3, 2012 - 11:20pm Rating: 2.0/5.0 |
CHICAGO – One of the questions we’re never suppose to ask the married couple without kids is, ‘when are you going to have kids?’ There might be specific reasons that it’s none of your damn business. Surprisingly, there is a whole so-called comedy based on this question and answer. Olivia Munn goes kid hatching in ‘The Babymakers.’
Elizabeth Banks Teeters With the ‘Man on a Ledge’
Submitted by PatrickMcD on January 27, 2012 - 4:21pmRating: 3.0/5.0 |
CHICAGO – New York City. Mid-day. A man steps outside the window on the edge of the Roosevelt Hotel. Is he jumping? That’s the question that street level onlookers and moviegoers want answered from Sam Worthington, Elizabeth Banks, Jamie Bell and Ed Harris in “Man on a Ledge”
Romantic Coupling of ‘One Day’ Rises Above Average
Submitted by PatrickMcD on August 19, 2011 - 10:25am Rating: 3.5/5.0 |
CHICAGO – In the sure hands of director Lone Scherfig, the underrated film “An Education” brought Carey Mulligan to full light. Anne Hathaway and Jim Sturgess generate similar radiance in Scherfig’s new film, “One Day.”
Emma Stone, Viola Davis Lend a Hand to ‘The Help’
Submitted by PatrickMcD on August 10, 2011 - 6:50amRating: 3.5/5.0 |
CHICAGO – Using fiction to express the importance of real historical events is seductive and sometimes disingenuous. The new film “The Help” manages to counteract that notion through high level, emotional performances.
