A24

Rating: 4.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on October 1st, 2020, reviewing the new films On the Rocks” (In select theaters October 2nd and on AppleTV+ starting October 23rd.) and “A Call to Spy” (In theaters & Video-On-Demand).

Rating: 5.0/5.0

CHICAGO – We all have those family stories that seem just so uniquely ours that it is hard to believe anyone could actually relate to them. Stories that, at the time, don’t seem like anyone else would even understand. Lulu Wang proves in “The Farewell” that all it takes is a little empathy, a skilled storyteller, and a group of talented people to bring any story to life.

Rating: 4.5/5.0

CHICAGO – “Midsommar” is beautifully composed, disturbing in nature and very very Swedish. Writer/Director Ari Aster creates a stunning sophomore effort (after his brilliant debut “Hereditary”) that is pure cinema, and weaves a fantastical tale of humanity stripped to its bare bones. It moves a bit slow, but it also builds to something completely original and unexpected.

Rating: 4.0/5.0

CHICAGO – The sheer ordinariness of life is not fodder for most dramatic films … the popcorn munchers generally turn out for something more high concept. But in Exhibit A, there is “Gloria Bell,” in which Julianne Moore portrays the title character in a series of ordinary extraordinary events.

Rating: 4.0/5.0

CHICAGO – Character actor Jonah Hill has just scored behind the camera. As writer/director of a authentic look back at the “Mid90s” he went back to his inner source of growing up in that 1990s time, skateboarding with his buds and experiencing the teenage life. The story never blinks, as the teens are authentic and the situations they get in even more so.

Rating: 4.5/5.0

CHICAGO – We’ve all been there. Depending on what school structure you lived through, everyone had issues in “Eighth Grade.” Writer/director Bo Burnham puts those universal issues in a modern context (social media, online video), and portrays them through a girl struggling to belong while navigating the choppy waters of adolescence. It’s difficult, awkward and representative.

Rating: 4.5/5.0

CHICAGO – The classic horror/psychological films continue to chill our souls long after the experience of them. “Hereditary” uses a masterful performance by Toni Collette, and layers it with symbolic commentary and freaky scares to accomplish that lingering discomfort. After viewing it, the cluck of the tongue will never be the same.

Rating: 3.5/5.0

CHICAGO – “The Room” is a post-millennial cult movie that plays the midnight and college movie circuit, entertaining audiences with its sheer badness. Its story is told in the “The Disaster Artist,” featuring James Franco as the director of “The Room,” and he also directed the film. Very meta.

Rating: 5.0/5.0

CHICAGO – In one of the best American films of 2017, Greta Gerwig went behind the camera to write and direct an autobiographical overview of her Senior Year in high school, within a directionless town and family. The result is enlightening truth, told with laugh-out-loud directness and connective empathy. The film is a total winner.

Rating: 4.0/5.0

CHICAGO – We all belong to something, be it a family, workplace, congregation or (expansively) a tribe. But within all that belonging is a sometimes nagging feeling of being an outsider. There is not a human being in existence that hasn’t felt that way, and a new film expresses that feeling in “Menashe.”