HollywoodChicago.com Movie Reviews

Finding One’s Self in ‘Where’d You Go, Bernadette’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – There is something so lovely about a film that unfolds slowly, until the moment occurs when a multi-layered story occurrence takes the breath away. “Where’d You Go, Bernadette” is such a film, portrayed with a magic subtlety by Cate Blanchett, one of the finest film actors working. She lives a life that is broken, but not in ways we suspect.

‘Good Boys’ Misses the Mark But Manages to Land

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The innocence of childhood is about to be wrecked for the gazillionth time, c’est la vie. “Good Boys” is a raunchy film with foul-mouthed middle schoolers going on wacky adventures. The pretzel logic to set up these adventures are weak, but the core of the conclusion is the strength.

‘The Kitchen’ is Once Upon a Time in New York City

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It’s the ladies turn to harken back to the badass 1970s, more precisely 1977 in Hell’s Kitchen neighborhood of New York City. In an adaptation of a DC Vertigo comic series, “The Kitchen” features Melissa McCarthy, Tiffany Haddish and Elisabeth Moss finding their destiny in taking over mobster duties.

Popcorn Ready ‘Fast & Furious Presents: Hobbs & Shaw’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The dog days of the summer are upon us, which also reflects from the silver screen. “Fast & Furious Presents: Hobbs & Shaw” is a spin-off of the eight film “The Fast and the Furious” franchise. Dwayne Johnson and Jason Statham are the title characters, fighting and driving their way into our hearts.

A Soul Laid Bare in ‘David Crosby: Remember My Name’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Getting into the mind of a creative person requires a delicate brush, or on the opposite end of that spectrum a new wing of a mental hospital. Submitted for your approval, one David Van Cortlandt Crosby, in the new documentary produced by Cameron Crowe, “David Crosby: Remember My Name.”

‘Once Upon a Time in Hollywood’ is a Cinematic Poem

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – What does Quentin Tarantino think about? That question immediately comes to mind when experiencing his latest film “Once Upon a Time in Hollywood.” QT meditates on TV westerns, the summer of 1969 in Los Angeles and the Manson family, and it’s a tone and mood rather than a story. But it works.

‘The Farewell’ Greets with Cultural, Emotional Exploration

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – We all have those family stories that seem just so uniquely ours that it is hard to believe anyone could actually relate to them. Stories that, at the time, don’t seem like anyone else would even understand. Lulu Wang proves in “The Farewell” that all it takes is a little empathy, a skilled storyteller, and a group of talented people to bring any story to life.

Copy Cat Live Action ‘The Lion King’ Seems Unnecessary

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The latest tendency of Walt Disney Pictures to make live action remakes of their classic cartoons should have stopped at “Jungle Book” and “Beauty and the Beast.” The last three, “Dumbo,” “Aladdin” and now “The Lion King” subtract from their source cartoons, and the King is downright weird.

Kumail Nanjiani is the Only Reason to See ‘Stuber’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Kumail Nanjiani is reaching the next level of stardom. Recently, he was the best thing in the rebooted “MIB: International” (as a cartoon sprite), and now he is the only reason to indulge in “Stuber.” Kumail portrays a nervy UBER driver named Stu (get it?), and upholds everything about the buddy movie that is enjoyable. The rest of it, including his buddy Dave Bautista, land with a dull thud.

Unbelievable Story is Key to ‘Framing John DeLorean’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The story of auto impresario John DeLorean is definitely one of truth is stranger than fiction, but also has a basis in “what ifs?” The fascinating new documentary of his life tells that story, breaking down the vagueness of how a former General Motors superstar got involved in a drug deal to save his own car company. As always, a situation like that has more loopholes.

Mind-Blowing ‘Midsommar’ is Disturbing and Beautiful

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – “Midsommar” is beautifully composed, disturbing in nature and very very Swedish. Writer/Director Ari Aster creates a stunning sophomore effort (after his brilliant debut “Hereditary”) that is pure cinema, and weaves a fantastical tale of humanity stripped to its bare bones. It moves a bit slow, but it also builds to something completely original and unexpected.

Fireworks for the 4th in ‘Spider-Man: Far From Home’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Spider-Man: Far From Home” is remarkably light on its feet considering it takes place in the wake of the events of “Avengers: Endgame.” After the five year period between finger snaps which is now referred to as “the blip,” Peter Parker (Tom Holland) and some of his classmates have returned the same age, while everyone else has gotten five years older.

‘Yesterday’ is a Can’t-Miss Premise That Still Misses

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – As a Beatles fanatic who has a band because of their existence, the premise of “Yesterday” was can’t miss. A man wakes up after an accident to discover he’s the only person to know that The Beatles existed? Sign me up and buy me popcorn. It’s unfortunate that the story went in a direction that did miss.

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