Stellan Skarsgard

Film Review: Despite Sandy Start and Trope Pitfalls, 'Dune' Could be the Next 'Star Wars'

CHICAGO – Everything has ‘potential’ and in examining that you reveal a little bit about yourself. Seeing the ‘potential’ in something is inherently an exercise in optimism because you take what you see and understand that it could do or be better. Criticism is also a key component when it comes to discussing ‘potential’ because without a critical eye you can’t see beyond what is to see what could be.

Film Review: ‘Mamma Mia! Here We Go Again’ is a Bubbly Musical

CHICAGO – I give in. “Mamma Mia! Here We Go Again,” the sequel to the much derided “Mamma Mia,” is a bubbly, frothy here-come-the-good-times musical that fits summer like a glove. The flashback format will also answer all the burning questions that were left unanswered from the first film, and the cast includes Cher!

Blu-ray Review: Criterion Assembles Great Package For Landmark ‘Breaking the Waves’

Breaking the Waves

It’s hard to overstate the shock waves that Lars Von Trier’s “Breaking the Waves” made when it was released in 1996. It’s not as if LVT was a completely unknown commodity but this was a new level for the filmmaker in the way he both played with his form and embraced larger-than-life imagery. “Breaking the Waves” was both grounded in classic themes and felt like the coming-out party for Dogme, the movement founded by LVT that embraced natural filmmaking techniques like handheld cameras and sunlight.

Film Review: Colin Firth, Nicole Kidman on Track in ‘The Railway Man’

CHICAGO – One the hidden implications of World War II was the suffering of Post Traumatic Stress Syndrome (PTSD) from the millions of soldiers who survived the horrors of that war. The difficulties associated with PTSD are communicated with honor by Colin Firth in “The Railway Man”

Film Review: Brutal Next Chapter Defines ‘Nymphomaniac: Vol. 2’

Nymphomaniac: Vol. 2

CHICAGO – The exploration of sexuality is a stark breakthrough in the “Nymphomaniac” film series by writer/director Lars von Trier. In the story of a woman interacting with her nature, there are shades of all physically active individuals. “Nymphomaniac: Vol. 1” covered the younger days of the main character of Joe. Vol. 2 takes her to the next, and more brutal phase – challenging her life and her disposition.

Slideshow: Exclusive Portraits of Stars Uma Thurman, Willem Dafoe of ‘Nymphomaniac’

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Uma Thurman in 2009, Portrays Mrs. H. in ‘Nymphomaniac.’

CHICAGO – The release of the controversial new film from Lars von Trier, “Nymphomaniac: Vol. 1,” took place on March 21st. This is part of a two volume “Nymphomaniac” film series, featuring Uma Thurman, Willem Dafoe and Connie Nielsen. Photographer Joe Arce of HollywoodChicago.com offers Exclusive Portraits of all three cast members from past appearances in Chicago.

Film Review: Nature, Morality Collide in ‘Nymphomaniac: Vol. 1’

Nymphomaniac: Vol 1

CHICAGO – Director and writer Lars von Trier creates exposure through his film art. He is unafraid to explore the very nature of being human, while at the same time revealing the very foibles of barriers to our nature – social structures, economies, religion and our own conceits in life. Lars von Trier’s latest barrier breaker is “Nymphomaniac: Vol. 1.”

Film Review: Forced ‘Thor: The Dark World’ Sequel Lacks Passion, Sci-Fi Basis

CHICAGO – For me and the subculture as a whole, so much of science fiction came from “Star Trek”. If creator Gene Roddenberry were alive today to witness “Thor: The Dark World,” he’d tell it to focus on being a superhero film rather than failing to dabble in science fiction.

Film Review: ‘Thor: The Dark World’ is Little More Than Marketing For ‘The Avengers 2’

CHICAGO – Few major films have felt less creatively inspired and more commercially conceived than Alan Taylor’s dull “Thor: The Dark World,” a wannabe blockbuster with all the personality and ingenuity of a straight-to-DVD sequel.

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