Michael Patrick Thornton

Podtalk: Actor Elizabeth Laidlaw on ‘The Red Line’ and Beyond

CHICAGO – The recent limited series “The Red Line” on CBS-TV was notable for a couple elements – it was set in Chicago and it featured Chicago actors in major roles. Creators Caitlin Parrish and Erica Weiss (from here), cast their Chi-town colleague Elizabeth Laidlaw, who portrayed police officer “Vic” Renna.

FLASHBACK Podtalk: Co-Creators, Actor of CBS-TV’s ‘The Red Line,’ Debuting April 28, 2019

View From Tall, The

CHICAGO – Chicago is again in the spotlight, due to the efforts of Caitlin Parrish and Erica Weiss, the creators of “The Red Line,” the based-in-the-Windy-City CBS TV series that debuts Sunday, April 28th, 2019. They even cast a veteran Chicago actor for the ensemble, Michael Patrick Thornton.

Interview: Co-Director Erica Weiss on ‘The View From Tall’ at Midwest Independent Film Festival

CHICAGO – The actualities that define adolescence are always prime for new territory in drama, and that is what the Chicago-based film “The View from Tall” accomplishes. Co-directed by Erica Weiss and Caitlin Parrish, it will be screened at the Midwest Independent Film Festival on Tuesday, April 4th, 2017 (details below).

Interviews: On Set for the Chicago Production ‘The View From Tall’

CHICAGO – The Chicago independent film scene keeps thriving, and a local production that just wrapped up will soon be a part of it. “The View From Tall” is based on a play written by co-director Caitlin Parrish, who along with her directing partner Erica Weiss brought the story to the screen.

‘Suicide, Incorporated’ Explores Mortality’s Worth, Will

"Suicide, Incorporated"

CHICAGO – The eponymous subject matter of Andrew Hinderaker’s enthralling new work “Suicide, Incorporated” is hardly a newfangled muse to dramatists. The concept of one’s self-sanctioned execution has inspired the minds of media architects from Poe to the executives at Lifetime Television Network (the latter of which tends to default to the exertion habitually). The question of an individual opting to terminate his life, especially when the meaning of which plagues the majority of us, is nary an easy one. Hinderaker’s take on the matter, both in stylized approach and explication, proves to be one of the most cerebrally exigent of the lot.

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