CHICAGO – Echoing elements of masterful works by Producer Guillermo Del Toro (most notably “The Devil’s Backbone,” “Pan’s Labyrinth”), “Don’t Be Afraid of the Dark” is an incredibly frustrating remake, a film that reminds one of scary movies instead of actually producing scares itself. There are Gothic elements that work, but the story simply isn’t strong enough to support a remake and lackluster direction fails to iron out the flaws in this potential horror hit.
Rating: 2.5/5.0 |
Most haunted house films suffer from a common flaw – why the Hell won’t they just leave the house? “Don’t Be Afraid of the Dark” may be the most egregious offender of this regular problem ever. The film is constantly shattering suspension of disbelief, which prevents it from ever becoming honestly scary. When everyone in the audience would merely turn and run from the fictional situation at hand, it stops the fictional fear cold. “Don’t Be Afraid of the Dark” is a story about a child being tormented by violent creatures. After increasingly terrifying attacks, the idea that she would spend another minute (much less actually SLEEP) in the house where these creatures live is just too much to take. “Don’t Be Afraid of the Dark” is illogical on every level and that lack of logic also leads to a lack of honest scares.
Read Brian Tallerico’s full review of “Don’t Be Afraid of the Dark” in our reviews section. [12] |
Much like “Pan’s,” “Don’t Be Afraid of the Dark” is another tale of a young girl arriving at a history-filled estate with a stepparent to add to the drama inherent in something new. The best elements of Del Toro and Matthew Robbins’ screenplay play off classic fairy tale elements – the creatures under the bed, the evil stepmother, the haunted house. These elements are woven around the story of a smart, precocious girl (Bailee Madison), her often-preoccupied father (Guy Pearce), and her new stepmother (Katie Holmes). The trio moves into an old estate with the intention of renovating it for the cover of Architectural Digest.
Of course, it’s not long before our heroine is exploring the previously-sealed basement and hearing the whispering voices of something asking her to come and play. Rather than run fleeing, the lonely girl investigates and sets free dozens of ugly little beasts who proceed to terrorize her. Del Toro and Robbins develop a somewhat-nifty mythology around these creatures (that stepmom has to leave the house to learn at the most inopportune time) as they are part Tooth Fairy, part Gremlin, and part demon. They want your children’s teeth but they can’t come into the light. A Polaroid camera serves as a nifty weapon in the final act.
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[11] http://www.hollywoodchicago.com/news/the-devils-backbone
[12] http://www.hollywoodchicago.com/reviews/15381/ineffective-don-t-be-afraid-of-the-dark-from-producer-guillermo-del-toro