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  • Dinner for Schmucks

    CHICAGO – The third of the Steve Carrell Seasonal Movie Trilogy debuts with the uneven but absurd comedy “Dinner for Schmucks.” Paul Rudd, now the go-to actor for straight-man-yuppie-turned-wild-dude joins a strong cast, including the ubiquitous Zach Galifianakis, Jemaine (”Flight of the Concords”) Clement and Bruce Greenwood.

Current Film Reviews

  • HollywoodChicago.com Oscarman rating: 3.5/5.0
    Rating: 3.5/5.0

    CHICAGO – The rise of Zac Efron has been one of the more interesting movie stories of the past year. Fresh from his notable role in “Me and Orson Welles,’ Efron takes the lead in “Charlie St. Cloud,” with veteran actors Ray Liotta and Kim Basinger. This journey into afterlife issues highlights some nice acting chops from Efron.

  • HollywoodChicago.com Oscarman rating: 3.5/5.0
    Rating: 3.5/5.0

    CHICAGO – The third of the Steve Carrell Seasonal Movie Trilogy debuts with the uneven but absurd comedy “Dinner for Schmucks.” Paul Rudd, now the go-to actor for straight-man-yuppie-turned-wild-dude joins a strong cast, including the ubiquitous Zach Galifianakis, Jemaine (”Flight of the Concords”) Clement and Bruce Greenwood.

  • HollywoodChicago.com Oscarman rating: 3.5/5.0
    Rating: 3.5/5.0

    CHICAGO – “Ramona and Beezus” may not be the perfect film that Beverly Cleary fans hoped for when they fell in love with these characters but it is successful on its own terms in its refusal to talk down to its pre-teen audience and through the massive future star-power of its talented young stars. I admittedly have a soft spot for any film that places teachers on a higher pedestal than businessman and effectively teaches young viewers to stick to their creative visions. It’s flawed, but “Ramona and Beezus” works.

  • HollywoodChicago.com Oscarman rating: 3.0/5.0
    Rating: 3.0/5.0

    CHICAGO – Perhaps the creators of “Salt” took the potential double meaning of its title a bit too seriously because the film has been overloaded with one flavor at the expense of the variety that could have turned this well-done action movie into something a bit more memorable. Angelina Jolie is great and the film is undeniably expertly made but it’s also shockingly lacking in personality or moments to make it register as more than just an extended chase scene.

  • HollywoodChicago.com Oscarman rating: 5.0/5.0
    Rating: 5.0/5.0

    CHICAGO – After thinking it’d take “a couple months” to ink, director Christopher Nolan (of “The Dark Knight” fame) took eight years to painstakingly write the “Inception” script. And you can tell. It’s his first pure masterpiece.

  • HollywoodChicago.com Oscarman rating: 3.5/5.0
    Rating: 3.5/5.0

    CHICAGO – The fantasy action epic has joined the animated film as the go-to genre for summer films. Disney joins the fray with “The Sorcerer’s Apprentice,” featuring magic, special effects action and a deep mythology, spiced with Nicolas Cage doing a slightly warped version of a King Arthur-era apprentice for Merlin the Magician.

  • HollywoodChicago.com Oscarman rating: 2.0/5.0
    Rating: 2.0/5.0

    CHICAGO – Good films deliver on their promise. Great films up the ante even more. In this version of the long “Predators” franchise from director Nimrod Antal (“Control,” “Armored,” “Vacancy”) and more-known producer Robert Rodriguez (“Grindhouse,” “Sin City”), we merely see more of the same: just enough to get us by but not nearly enough to make us care.

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THEATER, TV, DVD & BLU-RAY REVIEWS

  • Operation: Endgame

    CHICAGO – As someone who has often gone home with a straight-to-DVD action movie that I hadn’t heard of before entering the video store, I know how easy it is to get drawn into something that looks a little bit left-of-center. “Operation: Endgame” is undeniably unusual but that doesn’t mean it’s any good.

  • The Prowler

    CHICAGO – When did all slasher pics from the early ’80s become “cult classics”? You will find very few people as well-versed in the sub-genre as this writer who will gladly contrast and compare “Friday the 13th” sequels or discuss the merits of “April Fool’s Day,” “Basket Case,” and “My Bloody Valentine.” And yet not every film from the era deserves a cult following merely because it has grisly deaths, some T&A, and a twist ending. For example, take “The Prowler,” now out on Blu-ray from the great Blue Underground.

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