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  • HollywoodChicago.com Oscarman rating: 3.5/5.0
    Rating: 3.5/5.0

    CHICAGO – Whether it’s the 1982 original or the remake just released in theaters today to the wrath of numerous fans, the lesson of “Poltergeist” remains the same: Don’t do a half-assed job when relocating skeletons for corporate greed, or suffer the supernatural consequences. Fear not, however, as this is one remake that doesn’t just dress up a nostalgic skeleton for the modern horror crowd, but one that reminisces, and looks forward, with a mostly intelligent, genuine heart.

  • HollywoodChicago.com Oscarman rating: 2.0/5.0
    Rating: 2.0/5.0

    CHICAGO – For a movie all about the awesome power of inspiration, innovation and wonder, “Tomorrowland” has precious little of its own. “Tomorrowland” the title promises a kind of retro futuristic world where anything is possible, but “Tomorrowland” the movie rarely delivers anything approximating joy.

  • HollywoodChicago.com Oscarman rating: 3.0/5.0
    Rating: 3.0/5.0

    CHICAGO – “Pitch Perfect 2” wasn’t bad. There was the same off-kilter weirdness and funny lines of the first film, but in this sequel there were also stretches of boring, seemingly made-up stuff to slog through. I guess repeating a premise about college singing groups doesn’t offer much more to say.

  • HollywoodChicago.com Oscarman rating: 4.5/5.0
    Rating: 4.5/5.0

    CHICAGO – It’s “the greatest action movie ever made,” so says the television commercials (which means it’s true). And it’s buoyed by other quotables galore including “what a lovely day!,” “from mastermind George Miller,” “pulse pounding,” “heart wrenching” and “teeth grinding”. While these words are actually true, though, the film doesn’t need them to sell it.

  • HollywoodChicago.com Oscarman rating: 4.0/5.0
    Rating: 4.0/5.0

    CHICAGO – While “Mad Max: Fury Road” isn’t quite in the same league as director George Miller’s masterpiece “The Road Warrior,” it’s learned all the right lessons from that action classic. It’s a cinematic adrenaline machine that puts the pedal to the metal and rarely lets up.

  • HollywoodChicago.com Oscarman rating: 3.0/5.0
    Rating: 3.0/5.0

    CHICAGO – A common quagmire during a zombie outbreak, as expressed in the 367 films about the topic made about such an event since 2000, concerns what to do when your loved one is infected. For many movies, it makes for the tearful, climactic moment; for the dour drama “Maggie,” it’s the total narrative examination that just about fills half a movie, featuring Arnold Schwarzenegger as a rugged, lumberjack dad who is disturbed by the ailing conditions of his infected daughter (played by Abigail Breslin).

  • HollywoodChicago.com Oscarman rating: 2.0/5.0
    Rating: 2.0/5.0

    CHICAGO – I get it. The old fashioned buddy movie, except with the twist of the femme-flavor-of-the-moment Sofia Vergara and runty Reese Witherspoon. It practically writes itself. In fact, that might be the only legitimate excuse for the mess that is “Hot Pursuit” – it wrote itself.

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  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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