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  • HollywoodChicago.com Oscarman rating: 3.0/5.0
    Rating: 3.0/5.0

    CHICAGO – Dystopia has been dissed out. Mining the negative vibe future world can’t seem to touch the rich creative vein any more and the reserves seem dry. Writer/director Ana Lily Amirpour may have an element within her interpretation that is hard core, but it’s not enough to understand the overall vision of her tomorrow world, except that we’re all part of “The Bad Batch.”

  • HollywoodChicago.com Oscarman rating: 3.5/5.0
    Rating: 3.5/5.0

    CHICAGO – Knock me over with a feather kids, but I enjoyed “Transformers: The Last Knight.” Maybe it was in comparison to the others or maybe director Michael Bay has beaten me into submission, but this one had the right story elements and casting to make it work, with exceptions of course.

  • HollywoodChicago.com Oscarman rating: 5.0/5.0
    Rating: 5.0/5.0

    CHICAGO – The great character actor Sam Elliott – known mostly for his cowboy roles in film/TV and his unique bass sounding voiceovers – gets an opportunity to deliver a nuanced and emotional performance as a hyper-realized version of himself. There is virtue and truth in this character journey.

  • HollywoodChicago.com Oscarman rating: 3.5/5.0
    Rating: 3.5/5.0

    CHICAGO – There are some total exasperations in “The Book of Henry”… numerous ones that are almost deal breakers. But somehow, some way, the strange twists and ideas take over, and the film becomes fable-like, examining a different line of story elements that switched from one character to another. Director Colin Trevorrow (“Jurassic Park” reboot) reveals a love in what he is doing in this film, and that also counts for something.

  • HollywoodChicago.com Oscarman rating: 3.5/5.0
    Rating: 3.5/5.0

    CHICAGO – The idiotic notion in Hollywood (and in the basements of fanboy mothers everywhere) that women can’t be funny is a joke in itself. Women have been forced to prove themselves on the male-dominated comedic circuit and have come out as successful as their male counterparts. “Rough Night”, despite all of its flaws, is just the most recent example of that.

  • HollywoodChicago.com Oscarman rating: 3.5/5.0
    Rating: 3.5/5.0

    CHICAGO – The Cars movies continue to be the kiddieland of Pixar Animation franchises. Kids adore them, parents tolerate them. Unlike the best of Pixar’s output, the Cars films are lovingly crafted cartoons aimed squarely at kids with far more attention detail than the average fare you’d find scrolling through Netflix. The best that can be said is that “Cars 3” represents a considerable step up from “Cars 2”.

  • HollywoodChicago.com Oscarman rating: 4.0/5.0
    Rating: 4.0/5.0

    CHICAGO – Good horror films are difficult to find. Last year, we got the extremely satisfying horror film, “The Witch,” with breakout star Charlie the goat, AKA Black Phillip. Horror films that aren’t franchised cliches are hard to come by, but “It Comes at Night” delivers. The entire atmosphere is mysterious and foreboding. We go into this film blind as if we were stumbling through a forest at night. That is where we find the terrors, and ourselves.

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  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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