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  • Bernie

    CHICAGO – Jack Black is a smart and interesting actor. Not content to ride on the modern day John Belushi-type roles that might have pigeonholed him, Black portrays “Bernie,” a convincing conniver in Texas, based on a true story. Veterans Matthew McConaughhey and Shirley MacLaine add spice to the brew.

Current Film Reviews

  • HollywoodChicago.com Oscarman rating: 3.5/5.0
    Rating: 3.5/5.0

    CHICAGO – In general, one of the essential rites of passage for girls in childhood are ballet lessons and costumed recitals. What about those exceptional talents who stick with the art? Director Bess Kargman creates a documentary about the elite youth within the beauty and truth of the dance, “First Position.”

  • HollywoodChicago.com Oscarman rating: 4.0/5.0
    Rating: 4.0/5.0

    CHICAGO – Society constantly needs a reminder about itself, especially in the arena of political and religious conflict. “Where Do We Go Now?,” written and directed with creative delicacy by Nadine Labaki, provides that reminder and fashions an adult fable of how women can do their part to stop war.

  • HollywoodChicago.com Oscarman rating: 4.0/5.0
    Rating: 4.0/5.0

    CHICAGO – Jack Black is a smart and interesting actor. Not content to ride on the modern day John Belushi-type roles that might have pigeonholed him, Black portrays “Bernie,” a convincing conniver in Texas, based on a true story. Veterans Matthew McConaughhey and Shirley MacLaine add spice to the brew.

  • HollywoodChicago.com Oscarman rating: 1.0/5.0
    Rating: 1.0/5.0

    CHICAGO – “Battleship” is getting a lot of flack this week for having little to do with its alleged source. I would argue that the awful “What to Expect When You’re Expecting” is even more dishonest when it comes to its inspiration. Working from an instructional book that’s designed to prepare adults for impending parenthood, the film that steals its title turns truth into cliché.

  • HollywoodChicago.com Oscarman rating: 4.0/5.0
    Rating: 4.0/5.0

    CHICAGO – “Battleship” certainly could simplistically be reduced to a 131-minute propaganda piece of why you might want to enlist in the U.S. Navy – that is, if Earth had to ward off lizard-like creatures from a deep-space solar system we can only reach by slingshotting a highly amplified “What’s up, aliens?” broadcast to them.

  • HollywoodChicago.com Oscarman rating: 2.5/5.0
    Rating: 2.5/5.0

    CHICAGO – Morgan Spurlock is an awfully likable guy. I’ll never forget the day when he held a special screening of “Super Size Me” for an auditorium full of college kids. After participating in an extended Q & A, Spurlock spoke with every single student that wanted to shake his hand and pose for a picture. When the building finally had to close up for the night, the Spurlock love fest spilled out onto the sidewalk.

  • HollywoodChicago.com Oscarman rating: 2.0/5.0
    Rating: 2.0/5.0

    CHICAGO – Mary Harron’s “The Moth Diaries” is a perfect teaching tool for potential filmmakers. It is proof of two oft-forgotten rules of cinema: 1. Not every successful piece of work in one medium should be adapted to another (or not all good books make good films). 2. Even talented directors can be the wrong fit for the material.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Chronicle with Dane DeHaan

    CHICAGO – With great power comes great responsibility. Since the invention of the written word, authors have been playing with the idea that power leads to problems as it is man’s inherent nature to use that power to satisfy his own needs. Superhero fiction is based on it (good guys use their power for good, villains use it for evil). A lot of sci-fi is based on it. And the smash hit “Chronicle” (over $120 million worldwide with 10% of that as its budget), recently released on DVD and Blu-ray, cleverly plays with these themes in a way that feels new. The DVD offers nothing notable in terms of special features so one should probably expect a special edition to be released to coincide with the in-production “Chronicle 2.”

  • The Vow with Rachel McAdams and Channing Tatum

    CHICAGO – I feel like a bit of a confession is necessary to frame my opinion of the truly awful “The Vow.” Lest you think this is just some cynical male critic, I like “The Notebook” and “The Lake House.” I even kind of like “Dear John” and didn’t hate “The Time Traveler’s Wife.” Yes, I’m a cheeseball when the cheese is well-done. I wanted to like “The Vow.” There’s nothing to like here unless you find taking talented, charming actors and making them deadly dull likeable.

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