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  • The Moth Diaries

    CHICAGO – Mary Harron’s “The Moth Diaries” is a perfect teaching tool for potential filmmakers. It is proof of two oft-forgotten rules of cinema: 1. Not every successful piece of work in one medium should be adapted to another (or not all good books make good films). 2. Even talented directors can be the wrong fit for the material.

Current Film Reviews

  • HollywoodChicago.com Oscarman rating: 2.0/5.0
    Rating: 2.0/5.0

    CHICAGO – Mary Harron’s “The Moth Diaries” is a perfect teaching tool for potential filmmakers. It is proof of two oft-forgotten rules of cinema: 1. Not every successful piece of work in one medium should be adapted to another (or not all good books make good films). 2. Even talented directors can be the wrong fit for the material.

  • HollywoodChicago.com Oscarman rating: 3.5/5.0
    Rating: 3.5/5.0

    CHICAGO – Ali G, Borat, Bruno and the Stationmaster Guy in “Hugo” is now “The Dictator.” Sacha Baron Cohen puts on another character mask and produces his usual style of cheap laughs with a surprising sense of political sharpness. Anna Faris and Ben Kingsley go along for the ride.

  • HollywoodChicago.com Oscarman rating: 4.0/5.0
    Rating: 4.0/5.0

    CHICAGO – Fresh off her Spirit Award nominated film “Another Earth,” the up-and-coming filmmaker Brit Marling again writes and stars in “Sound of My Voice,” portraying another mysterious and mood-inducing character. The future of humanity is the basis for this simple but vivid narrative.

  • HollywoodChicago.com Oscarman rating: 3.0/5.0
    Rating: 3.0/5.0

    CHICAGO – While I’m writing this, a commercial for “My American Big Fat Gypsy Wedding” is playing on TV. It seems appropriate to kick off writing about a film that takes satirical aim at the bottom-feeding world of reality TV and the cult of personality that has devolved the 15-minute fame cycle into a 15-second one.

  • HollywoodChicago.com Oscarman rating: 2.5/5.0
    Rating: 2.5/5.0

    CHICAGO – Tim Burton’s “Dark Shadows” is one of the most inconsistent and frustrating major films in a long time. There are elements here and there that work but Burton and writer Seth Grahame-Smith seem incapable of figuring out how to wrangle them into a coherent, successful film.

  • HollywoodChicago.com Oscarman rating: 3.5/5.0
    Rating: 3.5/5.0

    CHICAGO – Seven desperate souls are taking risks to save some part of their world, which describes both “The Best Exotic Marigold Hotel” and “The Avengers.” Which will win the box office war? The “heroes” of the Marigold residence include Judi Dench, Tom Wilkerson, Bill Nighy, Maggie Smith and Dev Patel.

  • HollywoodChicago.com Oscarman rating: 4.5/5.0
    Rating: 4.5/5.0

    CHICAGO – The inherent drama of reality is trickier to capture on camera than one might suspect. Cinéma verité failed as soon as filmmakers utilized manipulative techniques to contrive on-camera drama. The staged shouting matches, comedic barbs and tearful breakdowns prevalent on Reality TV are as phony (or, dare I say, phonier) than the human behavior witnessed in scripted productions.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • La Haine

    CHICAGO – With NATO protests about to descend on Chicago, “La Haine” seems to have as much power as it did on its release almost twenty years ago. It is a visceral, draining experience about class struggles, increased diversity in Paris, economic inequality, and unchanneled rage. In other words, it’s a perfect choice for a Criterion Blu-ray upgrade as the Occupy Movement prepares to descend on the Windy City.

  • One for the Money Blu-ray

    CHICAGO – With each passing year, Katherine Heigl’s claims about Judd Apatow’s sexism appear increasingly absurd. While Apatow is producing A-grade work from female filmmakers, such as “Bridesmaids” and HBO’s “Girls,” Heigl is portraying shallow ditzes who are susceptible to chauvinistic, overgrown adolescents. “The Ugly Truth,” “Killers,” “Life as We Know It” and “New Years Eve” is not a track record worth bragging about.

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