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  • Lulu Wang of THE FAREWELL

    CHICAGO – One of the hottest films from the first half 2019 festival season was an emotional story about family. “The Farewell” is a breakout for both the lead actor Awkwafina (“Crazy Rich Asians”) and her director Lulu Wang. Wang’s story of her grandmother became a universal spirit about our relative connections.

Current Film Reviews

  • HollywoodChicago.com Oscarman rating: 3.0/5.0
    Rating: 3.0/5.0

    CHICAGO – Kumail Nanjiani is reaching the next level of stardom. Recently, he was the best thing in the rebooted “MIB: International” (as a cartoon sprite), and now he is the only reason to indulge in “Stuber.” Kumail portrays a nervy UBER driver named Stu (get it?), and upholds everything about the buddy movie that is enjoyable. The rest of it, including his buddy Dave Bautista, land with a dull thud.

  • HollywoodChicago.com Oscarman rating: 3.5/5.0
    Rating: 3.5/5.0

    CHICAGO – The story of auto impresario John DeLorean is definitely one of truth is stranger than fiction, but also has a basis in “what ifs?” The fascinating new documentary of his life tells that story, breaking down the vagueness of how a former General Motors superstar got involved in a drug deal to save his own car company. As always, a situation like that has more loopholes.

  • HollywoodChicago.com Oscarman rating: 4.5/5.0
    Rating: 4.5/5.0

    CHICAGO – “Midsommar” is beautifully composed, disturbing in nature and very very Swedish. Writer/Director Ari Aster creates a stunning sophomore effort (after his brilliant debut “Hereditary”) that is pure cinema, and weaves a fantastical tale of humanity stripped to its bare bones. It moves a bit slow, but it also builds to something completely original and unexpected.

  • HollywoodChicago.com Oscarman rating: 4.0/5.0
    Rating: 4.0/5.0

    CHICAGO – “Spider-Man: Far From Home” is remarkably light on its feet considering it takes place in the wake of the events of “Avengers: Endgame.” After the five year period between finger snaps which is now referred to as “the blip,” Peter Parker (Tom Holland) and some of his classmates have returned the same age, while everyone else has gotten five years older.

  • HollywoodChicago.com Oscarman rating: 3.0/5.0
    Rating: 3.0/5.0

    CHICAGO – As a Beatles fanatic who has a band because of their existence, the premise of “Yesterday” was can’t miss. A man wakes up after an accident to discover he’s the only person to know that The Beatles existed? Sign me up and buy me popcorn. It’s unfortunate that the story went in a direction that did miss.

  • HollywoodChicago.com Oscarman rating: 3.0/5.0
    Rating: 3.0/5.0

    CHICAGO – There is such an unnerving quality to older dolls, which is why they lend themselves so perfectly to horror stories. There’s just an unsettling feeling when looking at their static expression, usually plastered with a permanent smile that gives me terrible flashbacks to when I worked retail. Oddly enough, “Annabelle Comes Home” similarly elicits familiar feelings of terror but channels it through an 80’s horror homage.

  • HollywoodChicago.com Oscarman rating: 4.0/5.0
    Rating: 4.0/5.0

    CHICAGO – There are some fears in this world that seem irrational to us. Like a fear of clowns or the fear of using an elevator. Horror films are at the core of some of these fears, with the truly great ones creating new things to fear. The “Child’s Play” franchise may have had its roots in psychopathic soul transfers, but the update focuses on the ghost in the machine.

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