The Girl With the Dragon Tattoo

Rating: 2.5/5.0

CHICAGO – There is nothing wrong with revisiting The Girl with the Dragon Tattoo. That tattoo has made beaucoup bucks in book and film forms (both foreign language and Americanized versions), and Claire Foy taking over for Rooney Mara in the title role is seamless. So why the totally lackluster story? Is this a narrative source problem?

Rating: 4.0/5.0

CHICAGO – European history is – in a sense – our history, especially as it relates to the “Age of Enlightenment,” the intellectual movement in the 1700s that anticipated the Declaration of Independence. One of the quirks in that timeline is passionately explored in the new Danish/French film, “A Royal Affair.”

Rating: 5.0/5.0

CHICAGO – David Fincher’s “The Girl with the Dragon Tattoo” comes with waves of expectations from fans of the Stieg Larsson books, the Swedish original films, the director’s previous beloved works, and even drama over a certain national outlet breaking an agreed-upon embargo. Could it possibly live up to the hype? If you can let it go and just appreciate the film for what it is — absolutely.

Rating: 3.0/5.0

CHICAGO – Now that the third and final installment of Stieg Larsson’s posthumously published, phenomenally popular book series has been turned into a feature film, the questions emerges: ‘Was it worth it?’ To the worldwide box office and the creatively bankrupt Hollywood, of course it was. But were moviegoers truly satisfied by the experience?

Rating: 2.5/5.0

CHICAGO – Movie trilogies often are judged on the strength of their middle chapters. The “Star Wars” franchise wouldn’t have been continually embraced by new generations if “The Empire Strikes Back” hadn’t deepened the characters to such an extent that they became more than mere Jungian archetypes. If “Empire” jettisoned the franchise’s potential, “Attack of the Clones” brought it in for a crash landing.

Rating: 3.5/5.0

CHICAGO – Literary mysteries are harder to adapt for the big screen than one might assume. The trick is to make audiences feel like they’re discovering secrets right alongside the characters. We want to share in their exhilaration, their terror, their epiphanies.