STX Entertainment

Rating: 3.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on February 18th, 2021, reviewing the new film “Mauritanian,” in theaters now and available through Video-On-Demand on March 2nd.

Rating: 1.0/5.0

CHICAGO – There is an undeniable amount of skill and talent that goes into cheerleading. I happen to be rhythmically challenged so I am in awe of anyone, regardless of age, who can keep a beat while doing any sort of choreography. “Poms” promised to keep in step with a fresh premise, an all-star cast, and a new perspective on this tried-and-true genre but it tumbles along the way.

Rating: 3.5/5.0

CHICAGO – The animation formula, for entertaining both kids and adults, is to never make the story too serious, and “UglyDolls” gets it right. The obvious moral lesson of “accepting yourself” is covered with great animating, memorable characters, peppy songs, and a sly sense of humor. In essence, made for the whole family.

Rating: 3.5/5.0

CHICAGO – In 2011, there was a notable French film called “The Intouchables,” based on the true story of quadriplegic Phillippe Pozzo di Borgo and the relationship with his caregiver. Leave it to the U.S. film industry to get its sticky fingers on the story, and seven years later Bryan Cranston portrays “Phillip” and his caretaker is portrayed by Kevin Hart. Instead of story, this version relies on its lead actors.

Rating: 2.5/5.0

CHICAGO – When a revenge film gets a bit stale, as they tend to do, the best way to pass the time is to start counting how many people are indiscriminately killed. “Peppermint,” which has the former “Alias” star Jennifer Garner going back to an action mode, had 36 (give or take) quality kills, with the last one taking the longest between executions.

Rating: 2.0/5.0

CHICAGO – The most noteworthy feature of the puppet-noir comedy “The Happytime Murders” is its use of felt and fluff for nefarious ends, and while that’s not exactly new, there’s no reason it shouldn’t work. But the movie shoots its wad early, and doesn’t have much imagination after that beyond turning silly string into a bodily fluid.

Rating: 3.5/5.0

CHICAGO – High stakes poker are for folks who prefer to get their rush of adrenalin from the turn of a card rather than other life risks. The positives, the negatives and everything in between are in “Molly’s Game,” the feature directorial debut of Aaron Sorkin (“The West Wing” creator). Let’s walk and talk.

Rating: 4.5/5.0

CHICAGO – In a combined BBC Films, Welsh Government and Pinewood (London) Pictures production, the British-based “Their Finest” pairs England’s history with authentic and passionate romance, to create a sly and funny riff on propaganda films and the British movie industry during the early days of World War II.

Rating: 1.0/5.0

CHICAGO – You know you’re in trouble when the opening scene of a film inspires forehead slapping levels of incredulity. And that’s just the beginning of what I felt while watching “The Space Between Us,” another entry in the long line of would-be weepies about young lovers torn apart, usually by class or disease. The film desperately wants to be a millennial love story for a generation, and has plenty of faults but precious few stars in its tale of literal star-crossed lovers.

Rating: 3.0/5.0

CHICAGO – “The Edge of Seventeen” does attempt to do some different things with the growing-up-too-soon teenager soap opera – it throws in a authentic parent, contemporary sex issues and truthful awkwardness. But it can’t help being too heroic, and too “everything’s all right.”