Rosario Dawson

Rating: 3.5/5.0

CHICAGO - Zombieland: Double Tap lacks the freshness or the belly laughs of its predecessor, but I was surprised to see that this outrageously overqualified cast has not worn out its welcome. It’s ridiculous that three Oscar nominees and one Oscar winner headline a movie devoted solely to blowing zombies up. But when you employ Woody Harrelson, Jesse Eisenberg, Emma Stone, and Abigail Breslin, you’re going to get some unexpected surprises.

Rating: 3.5/5.0

CHICAGO – “The LEGO Batman Movie” is more of a parody than the laugh-out-loud hijinks of the surprising “The LEGO Movie,” but the legend of The Bats is ripe for a good skewering, and the movie has a lot of fun doing it. Will Arnett reprises the voice as the title character, with Zach Galifianakis taking on the antics of The Joker.

Rating: 3.5/5.0

CHICAGO – Occasionally, a film breaks through the miasma of images, and proclaims its uniqueness by just being weird. Case in point, the strange and wacky “Puerto Ricans in Paris,” which may have been created after two rich film producers made a one dollar bet (ala “Trading Places”) that they could come up with a movie simply based on the title.

Rating: 3.0/5.0

CHICAGO – Chris Rock wants you to take him seriously, so he has made a comedy with inconsistent laughs, and a nod towards the weird fishbowl lives that today’s celebrities endure. It’s a rare film where the last part is stronger than the first few acts, a mishmash that is “Top Five.”

Rating: 3.0/5.0

CHICAGO – Sex sells, sure, but the film-noir sequel “Sin City: A Dame to Kill For” makes you feel dirty if you’re left thinking that’s enough.

Nine years since the visually groundbreaking, avant-garde hit “Sin City,” Frank Miller and Robert Rodriguez’s biggest mistake with their next incarnation is replacing the first film’s bloodthirsty impact with too much nudity.

Rating: 3.0/5.0

CHICAGO – When the first “Sin City” (2005) was released – based on the graphic novels by Frank Miller – the conversion of a film to a noir-like comic book atmosphere was pioneering. The sequel “Sin City: A Dame to Kill For” has heightened that look, but this time has much less to say.

Rating: 3.0/5.0

CHICAGO – How can one man bring down a ruthless industry? By building a union that never backs down, because he never backed down. ‘Cesar Chavez’ depicts the United Farm Workers union organizer in the 1960s who sought justice against virtual slave conditions for immigrant labor, assuring his place in history.

Rating: 2.5/5.0

CHICAGO – The balancing act between reality and drama in based-on-truth narratives is as delicate as walking the high wire. Pour in too much drama, and a story can feel like a soap opera. “Gimme Shelter,” although earnestly and achingly performed, has that sudsy protocol.

Rating: 3.5/5.0

CHICAGO – Danny Boyle’s “Trance” is an undeniably well-made thriller that works back in on itself a few too many times for disbelief to stay suspended but delivers enough escapist entertainment to be considered a success. It’s totally ridiculous and yet never boring, propelled by the quick-cut style of the man who brought similar momentum to “Shallow Grave,” “Trainspotting,” and “28 Days Later.”

Rating: 2.5/5.0

CHICAGO – “10 Years” unintentionally backfires by proving that a real-life Hollywood couple – Channing Tatum and his actual spouse of three years Jenna Dewan-Tatum – has less on-screen chemistry than two actors who’ve practically never met.