CHICAGO – There is no better time to take in a stage play that is based in U.S. history, depicting the battle between fact and religion. The old theater chestnut – first mounted in 1955 – is “Inherit the Wind,” now at the Goodman Theatre, completing it’s short run through October 20th. For tickets and more information, click INHERIT.
Rosamund Pike
‘Beirut’ is a Superbly Tense Geopolitical Thriller
Submitted by PatrickMcD on April 11, 2018 - 9:11amRating: 4.0/5.0 |
CHICAGO – The psychological desperation of life-or-death decisions are in play within “Beirut,” the new geopolitical thriller featuring Jon Hamm (“Mad Men”). The various mazes within the story, set during the Lebanon civil war of the 1980s, is comparative to “Casablanca,” especially through the world-weary expression of Hamm’s character.
‘7 Days in Entebbe’ is Surprisingly Effective
Submitted by PatrickMcD on March 16, 2018 - 11:12amRating: 4.0/5.0 |
CHICAGO – What would you expect from an event subject that has been already rendered four times on film, and deals with terrorism, hijacking and government negotiation? “7 Days in Entebbe” contained all of this, and yet still maintained a separate energy and cinematic artistry. In many ways, it’s one of the most surprising films of the young year.
‘Hostiles’ with Christian Bale is a Big Bad Bore
Submitted by PatrickMcD on January 5, 2018 - 9:49amRating: 2.0/5.0 |
CHICAGO – “Hostiles” is an exercise in prestige western boredom. It’s competently made, but its as lifeless as a scalped corpse on the prairie. It’s long on pretty western locales and impressive facial hair, but short on story, characters, or much of anything else to help keep your eyelids from closing.
High-Level Acting, Broad Themes in ‘Gone Girl’
Submitted by PatrickMcD on October 2, 2014 - 11:28pmRating: 4.0/5.0 |
CHICAGO – How can a sudsy, Lifetime TV Movie-type plot capture the resonance of our current information age? By twisting it by the ears and having gutsy, high-level performances. “Gone Girl” is a marvelous invention of media satire, celebrity culture and the perfect casting of Ben Affleck.
Werner Herzog Towers Over Miscast ‘Jack Reacher’ Star Tom Cruise in Five Mere Scenes
Submitted by HollywoodChicago.com on December 21, 2012 - 1:17amRating: 2.5/5.0 |
CHICAGO – While normally I’d never think the date I screened a film was newsworthy, being subjected to “Jack Reacher” on Dec. 13, 2012 turned out to put even a therapist into therapy. The very next day, well, just two words: Sandy Hook.
Loud, Boring ‘Wrath of the Titans’ Deserves Godly Vengeance
Submitted by BrianTT on March 30, 2012 - 8:52amRating: 1.5/5.0 |
CHICAGO – 2010’s “Clash of the Titans” was a surprising box office smash, making almost $500 million worldwide. That kind of money demands a sequel, but what to call it? “Clash of the Titans 2” wouldn’t be exciting enough but it should sound similar. How about “Smash of the Titans”? “Flash of the Titans”? “Bash of the Titans”? They ultimately settled on “Wrath of the Titans,” although “Trash of the Titans” or “Crap of the Titans” would have been more accurate.
Sally Hawkins Gives Another Strong Performance in ‘Made in Dagenham’
Submitted by BrianTT on November 24, 2010 - 9:22amRating: 3.5/5.0 |
CHICAGO – Nigel Cole’s “Made in Dagenham” works because of the strong, believable performances of its ensemble, even if it doesn’t quite resonate with the same strength as other tales of ordinary people who became revolutionary role models.
Ryan Gosling ‘Fractures’ Anthony Hopkins in ‘Homicidal Modern’ Mystery
Submitted by HollywoodChicago.com on April 26, 2007 - 4:39pmCHICAGO – Anthony Hopkins returns with his unparalleled eyes of terror in “Fracture” for a sly brain battle with