Ron Livingston

Rating: 2.0/5.0

CHICAGO – “Tully” is a deeply weird motherhood fantasy snuck inside the friendly-but-distancing screenwriting constructs of another pseudo ironic story by Diablo Cody. Charlize Theron plays Margo, a mother of two kids with a third due any day, struggling with the sacrifices she’s made for motherhood.

Rating: 2.5/5.0

CHICAGO – Is there ever an end to the Young Adult Dystopia genre (“Hunger Games,” “Maze Runner,” etc.)? Or are we cursed with the end of the world every year, if it weren’t for those meddling kids? “The 5th Wave” is the latest adaptation, and if you haven’t read the source novel, good luck following it.

Rating: 2.5/5.0

CHICAGO – Retreads from classics are often as weary as having to write that they are almost never as good as the original. And here we go again with the Ed Helms-led “Vacation,” which fails to capitalize on the beloved Chevy Chase film “National Lampoon’s Vacation” from 1983.

Rating: 4.5/5.0

CHICAGO – It’s been close to 50 years since 11/22/1963, the day when a certain American innocence was lost with the assassination of President John F. Kennedy. In time for that anniversary, is the excellent film overview entitled “Parkland.”

Rating: 4.0/5.0

CHICAGO – Joe Swanberg’s “Drinking Buddies” has been billed as the Chicago writer/director’s breakthrough largely due to the star power on display in the cast list but the film works not merely because of the notable talents of its cast but a new maturity and wisdom displayed by its creator.

Rating: 4.5/5.0

CHICAGO – True scary movies have a couple of things going for them – the source of the scare and the psychology of the scare. The source provides the “boo,” the audience provides the interactive psychology. “The Conjuring” is a true scary movie.

Rating: 1.5/5.0

CHICAGO – Peter Hedges’ “The Odd Life of Timothy Green” has a warm, gooey center that’s admirable in a family movie way but what’s around it can’t hold together as the lack of focus in the narrative and the rather grating performance from the young man playing its title character causes it to annoy more than entertain.

CHICAGO – “Most people go to their graves with their music still inside them,” 19th century poet Oliver Wendell Holmes once said. First-time director Steven Sawalich’s “music” presumably still resides inside him because it doesn’t resound in his “Music Within” message movie.