Kathryn Bigelow

HollywoodChicago.com ESP, En Español: ‘Atomic Blonde,’ ‘Detroit,’ y ‘Dunkirk’

CHICAGO – Cada semana, HollywoodChicago.com le traerá las criticas de las películas que hemos visto y que están saliendo esa semana, pero en español. HollywoodChicago.com ESP no sólo representa HollywoodChicago.com Espanol, sino también Esta Semana en Peliculas. Esta semana haremos una gira de guerra a través de la historia de la Segunda Guerra Mundial (‘Dunkirk’), a la Guerra Fría (‘Atomic Blonde’) y a la zona de guerra en casa (‘Detroit’).

‘Detroit’ is Stark, Blunt & Honest U.S. History

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It has become clear to anyone who is making an observation about authority and “order” in America, that for certain people it comes with a severe price. “Detroit” explores an incident within the 1967 riots there, when white police officers raided a hotel and perpetuated crimes of their own.

Jingoistic ‘Zero Dark Thirty’ Highlights the Mission

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Despite an obsession for killing a single man to represent a foggy revenge, “Zero Dark Thirty” is an effective thriller in the actual re-creation of that Navy Seal operation. Directed by Kathryn Bigelow (“The Hurt Locker”), the all-star cast is led by a miscast Jessica Chastain.

‘Zero Dark Thirty’ Turns CIA Procedural Into Riveting Thriller

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Kathryn Bigelow opens her stunning “Zero Dark Thirty” with a date and a series of voice mail recordings. The date is, of course, September 11, 2001 and the recordings are the ghosts of the people who died that day, perfectly setting the stakes for the story to come – the hunt for and capture of Osama Bin Laden.

Riveting, Must-See ‘The Hurt Locker’ is Flawless Filmmaking

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Filmmaking simply doesn’t get much more riveting than Kathryn Bigelow’s incredible “The Hurt Locker,” a cinematic experience unlike any other that you will have this year. Building and releasing tension better than her peers have in a long time, Bigelow has made not only the best Iraq War movie to date but the best film of 2009 at just over the halfway point.

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