John Goodman

Rousing Adventure Awaits in ‘Kong: Skull Island’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – King Kong is a wholly generated creature of the movies. Ever since the gorilla legend came to life on screen way back in 1933, he has appeared in countless official remakes, cheap exploitation flicks and now as a symbol of American overreach. He still rules in “Kong: Skull Island.”

Boston is Strong Again in Reliable ‘Patriots Day’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In the context of history, and the way information is consumed these days, the Boston Marathon Bombing in 2013 seems both like yesterday and a long time ago. Director Peter Berg’s “Patriots Day” is the first film account of that horrid week, and features Mark Wahlberg.

‘10 Cloverfield Lane’ is a Dull Detour to a Dead End

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – With “10 Cloverfield Lane,” Producer J.J. Abrams attempts a classic bait and switch on his audience. The name and the tagline suggest a connection to Abrams found footage monster movie, 2008’s “Cloverfield.” But in all honesty, this film has very little to do with the events of that movie.

‘The Gambler’ is a Sure Bet for the Holiday Weekend

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Gritty, funky and quote-worthy, this re-imagining of “The Gambler” – from a 1970s source film – is one of Mark Wahlberg’s best performances. His addicted-to-gaming soul has roots in other frustrations, and the actor is willing to communicate the whole range of emotions.

‘Transformers: Age of Extinction’ Most Tolerable of Series

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – I’ll say this for “Transformers: Age Of Extinction,” it’s the most tolerable Transformers movie Michael Bay has ever made. The substitution of Mark Wahlberg for Shia LaBeouf is a big part of that – and for its first two hours at least, Bay realizes less is more.

‘The Monuments Men’ Has Been Drained of Personality

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

George Clooney’s “The Monuments Men” is processed cheese. It is a film that has been rewritten, edited, and refined until it has lost all sense of purpose or identity. There’s no flavor left. It is a film that defies genre; not quirky enough to have a comedic personality despite a cast that almost always supplies edge and not engaging enough to work as drama or thriller.

‘Inside Llewyn Davis’ Resonates Like Long-Lost Folk Masterpiece

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

Films about musicians are remarkably common. Artists from one medium have always loved to put themselves in the well-worn shoes of craftsmen from another. Most of them are stories of an underrated talent rising to the top of his profession, designed for both audience and filmmaker to live vicariously through the protagonist’s success. “Inside Llewyn Davis,” the latest masterpiece from Joel & Ethan Coen, is not one of those stories.

Pixar Scores Again With Delightful ‘Monsters University’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Let’s everybody say it together, “the key to great animation is a great story.” This has to be the motto for Pixar Animation – now part of Disney. Their latest, “Monsters University,” is a prequel with a heart, soul and attention to what makes this type of entertainment work.

Worse Than a Real One, ‘The Hangover Part III’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – With a lazy, over-plotted story, and a cast that are desperately going through the motions, “The Hangover Part III” is the latest example of a contract obligation disguising itself as a movie. Writer/director Todd Phillips sluggishly pounds out another one, with simply no originality.

Denzel Washington Pilots Nearly Flawless ‘Flight’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Few films have more deftly walked the tightrope through a moral gray area than Robert Zemeckis’ stunning “Flight,” one of the best dramas of the year that also just happens to include the best performance from two-time Oscar winner Denzel Washington in the last decade. Reminding us what he can do with a deep, complex character, Washington completely embodies the soul of a man dealing with a life crash long after he’s no longer in the cockpit of an actual plane.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Space Force

    CHICAGO – Seemingly ripped from the headlines, by way of “Dr. Strangelove,” the new Netflix TV series “Space Force” debuted on May 29th, 2020. Patrick McDonald of HollywoodChicago.com reviewed the series during the Eddie Volkman Show (Star 96.7 FM in Joliet, Illinois) on June 5th, 2020.

  • Adriana Leonard & Carley Marcelle

    CHICAGO – When two passionate content creators got together, they sought not only to produce a work of entertainment, but a higher philosophy within it. Co-Writers/Directors and Executive Producers Adriana Leonard and Carley Marcelle have created “Beta” A Digital Series, and they are about to launch it.

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