CHICAGO – Society, or at least certain elements of society, are always looking for scapegoats to hide the sins of themselves and authority. In the so-called “great America” of the 1950s, the scapegoat target was comic books … specifically through a sociological study called “The Seduction of the Innocent.” City Lit Theater Company, in part two of a trilogy on comic culture by Mark Pracht, presents “The Innocence of Seduction … now through October 8th, 2023. For details and tickets, click COMIC BOOK.
Haley Joel Osment
To Thine Own Self! On-Air Film Review of ‘Somebody I Used to Know’
Submitted by PatrickMcD on February 10, 2023 - 9:56am Rating: 3.5/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on February 9th, 2023, reviewing “Somebody I Used to Know,” created by husband and wife team Dave Franco and Alison Brie. Streaming on Prime Video beginning February 10th.
'Extremely Wicked, Shockingly Evil, and Vile' Unfortunately Lives Up to Its Name
Submitted by JonHC on May 4, 2019 - 4:14pm Rating: 1.5/5.0 |
CHICAGO – Hearing the details of tragic stories, we often find it hard to understand how they got into that situation in the first place, especially since all the red flags are so obvious to us. “I’d never be so dumb,” we tell ourselves. “Extremely Wicked, Shockingly Evil, and Vile” takes us through how easy it is to miss something that we’ve never truly seen.
It is Best to Steer Clear of This ‘Entourage’
Submitted by PatrickMcD on June 3, 2015 - 3:56pm Rating: 2.0/5.0 |
CHICAGO – I actually did watch the HBO show this big-screen iteration is based on, and I looked back in surprise to find the show actually lasted for 8 years. That’s a long time for a show that peaked in season two, and petered out into irrelevance somewhere around season four or so.
Don’t Say That You Love Me in Kevin Smith’s ‘Tusk’
Submitted by PatrickMcD on September 20, 2014 - 8:08amRating: 3.5/5.0 |
CHICAGO – The headline is a quote (“Don’t say that you love me!”) from Fleetwood Mac’s song “Tusk,” which Kevin Smith gratefully includes in his film of the same name. The movie is either the most outrageous audacity of the year or a blatant middle finger from Smith to the audience. You decide.
