Gillian Jacobs

On-the-Air Reviews of ‘I Used to Go Here,’ Creem Mag Doc

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on August 6th, 2020, reviewing the new films (virtual theaters online, actual theaters) “I Used to Go There” and “Creem: America’s Only Rock ’N’ Roll Magazine.”

Melissa McCarthy is the Charming ‘Life of the Party’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Melissa McCarthy is a comedic force to be reckoned with, able to wring laughs improbably out of the stingiest of material. She always manages to find the funny, which helps elevate everyone around her, and so she slips easily in the durable friendly constructs of the campus comedy in “Life Of The Party.”

Comedy is Humanity in Magnanimous ‘Don’t Think Twice’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Comedian/writer/director Mike Birbiglia is breaking out as a filmmaker, and he adds a deft and emotional touch to a story of an improvisation comedy troupe split apart by change they didn’t expect. That sounds a lot like life, and it’s best to “Don’t Think Twice.”

Back to the Funny in ‘Hot Tub Time Machine 2’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The concept is a hot tub, that also acts as a time machine. It practically writes itself! The too-meticulous plot of “Hot Tub Time Machine 2” still delivers a decent amount of laughs, although most of them fall under the crude and rude category. Better a cheap laugh than no laugh.

‘Seeking a Friend for the End of the World’ Can’t Find Honest Emotion

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Lorene Scafaria’s “Seeking a Friend for the End of the World” is a manipulative mess that’s only slightly redeemed by yet-another engaging performance from one of the best actresses of her generation. Even the always-great Keira Knightley can’t hold back the deluge of clichés and false characters that drag this piece down into the kind of dreck that would be universally derided if it just had the name “Nicholas Sparks Presents” in front of it.

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