CHICAGO – If you’ve never seen the farcical ensemble theater chestnut “Noises Off,” you will see no better version than on the Steppenwolf Theatre stage, now at their northside Chicago venue through November 3rd. For tickets and details for this riotous theater experience, click NOISES OFF.
Errol Morris
Roger Ebert Doc a Titanic Love Story About Movies, Chaz & ‘Life Itself’
Submitted by HollywoodChicago.com on July 6, 2014 - 4:41pmRating: 4.5/5.0 |
CHICAGO – We’d all be so lucky to live a full life of love, success and dignity. But earning it and then dying with it is the ultimate accomplishment.
The film festival hit “Life Itself” honestly portrays the life and death of a great man that any man or woman can strive to emulate.
Roger Ebert’s Treasure of a Journey in ‘Life Itself’
Submitted by PatrickMcD on July 4, 2014 - 8:40amRating: 5.0/5.0 |
CHICAGO – We will never see the likes of his kind again – the influential arbiter of cinematic taste, whose magic thumb could make or break the dreams of both filmmaker and film fan. The journey of Roger Ebert, the most influential film critic of our times, is told in the new documentary, “Life Itself.”
Errol Morris’ ‘The Unknown Known’ Seeks Donald Rumsfeld
Submitted by PatrickMcD on April 21, 2014 - 5:35pmRating: 4.0/5.0 |
CHICAGO – The reason some people fit into government service is fairly well-defined in the latest film by iconic documentary-maker Errol Morris. His profile of ex-Secretary of Defense Donald Rumsfeld in “The Unknown Known” is a tale of history – affected by war, death, torture and justification. The power of government men in suits and what happens when the power is realized flows through Rumsfeld like water through a faucet, and who or what shuts it off, is often determined by the title of the film.
Riveting ‘The Act of Killing’ Demands to Be Seen
Submitted by BrianTT on August 12, 2013 - 1:04pmRating: 5.0/5.0 |
CHICAGO – We like to think that mass murderers are pure monsters. They don’t have kids. They don’t walk around free. They couldn’t possibly have a moment of joy after causing so much pain. This is, of course, nothing more than a comforting fallacy.
Over-Produced, Misguided ‘Chasing Madoff’ Buries the Lead
Submitted by PatrickMcD on September 2, 2011 - 6:48pmRating: 1.5/5.0 |
CHICAGO – What Errol Morris does so well is very, very difficult. He takes unusual interview subjects (“Fast, Cheap, & Out of Control,” “Mr. Death), sometimes even with a political background (“The Fog of War,” “Standard Operating Procedure”) and makes them completely riveting. Clearly inspired by the Morris filmography, Jeff Prosserman’s “Chasing Madoff” attempts that blend of personality and history but falls flat on its face.
‘Tabloid’ From Errol Morris Teases, Tantalizes, Entertains
Submitted by mattmovieman on July 15, 2011 - 8:14amRating: 4.5/5.0 |
CHICAGO – Errol Morris’s “Tabloid” is the sort of documentary so probing and inquisitive that it can’t help questioning its own validity. It’s a story about storytelling, a documentary that deconstructs the artifice of documentary filmmaking and a nonfiction narrative that may very well be comprised entirely of fiction. Such boundless ambition and self-reflexive irony is only typical of Morris, who is surely one of the greatest filmmakers in the history of the medium.