Elizabeth McGovern

Rating: 4.5/5.0

CHICAGO – Although mostly set in the early 1920s, “The Chaperone” has some pungent lessons regarding identity, and living life authentically. The story of former silent film star Louise Brooks and her first trip to New York City expresses both how we can live today and how they lived back then.

Rating: 4.5/5.0

CHICAGO – One of the more fascinating questions about civilization is ‘how much talent went unrealized because of time and place of birth?’ The patriarchy – which denied people of color and women for so long – often reduced fellow travelers into subservient roles. For example, there were women who were just known as “The Wife.”

Rating: 4.0/5.0

CHICAGO – Sometimes you’re just in the mood for a good old Liam Neeson ass-kicker… and “The Commuter” fits that bill. It asks, damn near requires, you to leave your brain safely at the station, but it moves too fast that you don’t have much time to think about it. It’s ludicrous, dumb and fun entertainment for January.

Rating: 4.0/5.0

CHICAGO – Providing human life to this planet is the dominion of women, given that they gestate new existence through to birth. It was refreshing to see that gender point of view carried to expressive terms in “Unexpected,” the latest film by Chicagoan Kris Swanberg, and featuring Cobie Smulders.

Rating: 2.5/5.0

CHICAGO – The horrors of the Holocaust have been expressed in cinematic art through many angles. “Woman in Gold” takes another track, that of restoring a work of art that was stolen from a Jewish family in Austria. The legal maneuverings, however, lacks a sense that this is victorious.