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Cinema-Men! On-Air Film Review of Powell & Pressburger Doc

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on July 25th, reviewing “Made in England: The Films of Powell & Pressburger,” in theaters beginning July 26th, and will be playing throughout August in select markets.

Silver Screen Dream! On-Air Film Review of ‘Empire of Light’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on December 8th, 2022, reviewing “Empire of Light,” the latest from director Sam Mendes, about a memory of the cinema. In theaters beginning December 9th.

Art Belongs to Daddy! On-Air Review of ‘The Father’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on March 11th, 2021, reviewing the new film “The Father,” in theaters on March 12th and available through Video-On-Demand March 26th.

Uncovering the Past! On-Air Review of ‘The Dig’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on January 28th, 2021, reviewing the new film “The Dig,” streaming on Netflix beginning January 29th, 2021, PLUS a preview of the virtual and online Sundance Film Festival.

‘The Aftermath’ is Strained & Illicit Romance During War

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – One of the roots of the sexual revolution in America was World War II (as it was the roots of many social movements). The stakes of life and death in an instant motivates the softest of puppy love to passion. “The Aftermath” takes that time honored emotional intensity into a right-after-the-war romance.

World War I Comes to Life in ‘They Shall Not Grow Old’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The First World War took place (1914-18) in conjunction with the early days of film, with enough cameras available to actually capture it. For years, that dusty and silent celluloid was used in documentaries, but never has it come to life the way that director Peter Jackson presents it in “They Shall Not Grow Old.”

A Bit of Pop/Rock Magic Spins in ‘Juliet, Naked’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The story of a drop-out rock and roll star… usually disappearing at the height of their fame… has fascinated the movies in both fiction (“Eddie and the Cruisers”) and documentary (“Waiting for Sugarman”). “Juliet, Naked” takes the premise and creates a charming, romantic story about fandom and redemptive decisions.

Diversity & High Quality in 2018 Oscar-Nominated Live Action Short Films

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – From deafness to religious conflict to one of the most vicious events in American history, the Oscar nominated Live Action short films fulfill the drama, emotions and even laughs in a compact form. The 2018 Live Action Shorts nominees are being shown in one program, locally at the Landmark Century Centre Cinema in Chicago. Click here for more information. The Animations Shorts are also being shown.

Annette Bening Proves ‘Film Stars Don’t Die in Liverpool’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGOGEORGE BAILEY: “Hey, you look good. That’s some dress you got on there.” VIOLET: “This old thing? I only wear it when I don’t care how I look.” That is how actress Gloria Grahame (as Violet Bick) was introduced in the classic “It’s a Wonderful Life”. Now she is portrayed by Annette Bening in “Film Stars Don’t Die In Liverpool”.

Charles Dickens is ‘The Man Who Invented Christmas’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The story of Ebenezer Scrooge, as told in Charles Dicken’s classic “A Christmas Carol,” seems to be the one constant that survives the commercialization of the holiday season. The story of Scrooge’s creation is told with expressive sentimentality in “The Man Who Invented Christmas.”

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