Brian Tallerico

Rating: 2.0/5.0

CHICAGO – The unjustified remake of the ’80s camp-fest “Clash of the Titans” may have been re-purposed for the trend of 3-D but its performances are still tragically 2-D and its plot practically see-through.

Rating: 3.5/5.0

CHICAGO – What man approaching or in middle age wouldn’t love to go back to when they were in their physical, sexual, and alcohol-imbibing prime and not just feel young again but perhaps even correct a few mistakes that led to a disappointing life?

Rating: 1.0/5.0

CHICAGO – Reminiscent of vastly superior work by David Cronenberg and Paul Verhoeven but with none of the directorial skill apparent in the films of those two talented men, “Repo Men” with Jude Law and Forest Whitaker is a total disaster possibly unmatched in the careers of its talented stars.

Rating: 3.5/5.0

CHICAGO – Horror remakes are almost never a good idea but there seems to be something about George A. Romero’s work that defies that expectation. Zack Snyder delivered with his version of “Dawn of the Dead” and now Breck Eisner has shocked genre fans with his effective take on the low budget classic “The Crazies”.

Rating: 5.0/5.0

CHICAGO – “Shutter Island” is a riveting trip through a cinematic funhouse led by one of the best filmmakers of all time in Martin Scorsese, who fully employs the copious skills of his most talented collaborators including star Leonardo DiCaprio. It is a technical masterpiece that gets under your skin and stays there for days.

Rating: 2.5/5.0

CHICAGO – Joe Johnston’s “The Wolfman” nearly works. The Benicio Del Toro vehicle has a strong supporting cast, a few striking visual compositions, and at least one must-see sequence, but it misses the mark as a complete film, never quite as compelling or entertaining as it could or should have been.

Rating: 3.0/5.0

CHICAGO – In the early part of the last decade, Michael and Peter Spierig (The Spierig Brothers) debuted with the unique zombie cult hit “Undead” and horror nuts waited to see what they’d do next. It took way too long but the brothers are back with the stylish, original “Daybreakers,” a vampire film that injects new life into an often-dead genre.

Rating: 4.0/5.0

CHICAGO – Rob Marshall’s highly anticipated “Nine” isn’t quite the complete piece that it could have been, but its flaws are easy to overlook in favor of the spectacle of old-fashioned, pure entertainment. It is what so many musicals are remembered for being: a series of memorable moments, the toe-tapping sum of which makes a missed beat or two easier to overlook.

Rating: 3.0/5.0

CHICAGO – Director Clint Eastwood has given up on subtlety, choosing instead to tell old-fashioned, direct stories with as much technical skill and dramatic competency as possible. There’s nothing particularly wrong with the legendary director’s “Invictus,” but it’s also not nearly as memorable or thrilling as it could have or, given the true story that it tells, should have been.

Rating: 2.5/5.0

CHICAGO – The long-delayed and highly-anticipated adaptation of Cormac McCarthy’s “The Road” has moments of stark beauty and a typically fantastic lead performance from Viggo Mortensen, but the film ultimately misses its mark as a whole piece, coming off numbing in its bleak, repetitive view of the end of the world instead of inspiring emotionally or creatively.