CHICAGO – The great and lofty Steppenwolf Theatre of Chicago has brought the current political season right on target with “POTUS: Or Behind Every Great Dumbass are Seven Women Trying to Keep Him Alive,” now extended through December 17th. Click POTUS.
Annabelle Wallis
‘The Mummy’ is a Marvel of a Muddled Mess
Submitted by PatrickMcD on June 9, 2017 - 5:36am Rating: 1.5/5.0 |
CHICAGO – Universal Studio’s “Dark Universe,” which is centered around its stable of classic movie monsters, isn’t a bad idea. But in the darkly inauspicious debut feature called “The Mummy,” everything unravels. This is a mixed, muddled, marvel of a mess that contains an assembly of special effects, but precious little life.
‘King Arthur: Legend of the Sword’ is a Dull, Magicless Bore
Submitted by JonHC on May 12, 2017 - 5:27pm- Aidan Gillen
- Annabelle Wallis
- Astrid Bergés-Frisbey
- Charlie Hunnam
- David Dobkin
- Djimon Hounsou
- Eric Bana
- Excalibur
- Guy Ritchie
- HollywoodChicago.com
- HollywoodChicago.com Content
- Joby Harold
- Jon Espino
- Jude Law
- King Arthur: Legend of the Sword
- Lionel Wigram
- Man from UNCLE
- Merlin
- Movie Review
- Sherlock Holmes
- Tom Wu
- Warner Bros
Rating: 1.5/5.0 |
CHICAGO – Have you ever had such a bad case of déjà vu while watching a film that trying to remember where the familiar elements are from turns into a more enjoyable experience than actually seeing the film itself? If you haven’t, your quest for that kind of film is fulfilled by the incredibly forgettable “King Arthur: Legend of the Sword.”
Lifeless Doll Horror ‘Annabelle’ Just Taking Up Shelf Space
Submitted by NickHC on October 3, 2014 - 10:03pmRating: 1.5/5.0 |
CHICAGO – The opening text to “Annabelle” comically clues its audience into the significance of dolls - beloved child play things, and/or vessels for evil spirits, whatever floats your boat. This spin-off of the mute toy from “The Conjuring” (as later made love to intensely by Marlon Wayans in “A Haunted House 2”) presents a different usage as well, that of taking up shelf space.
