CHICAGO – What is one of the greatest survival instincts of the pandemic? Creativity. The Zoom web series “What Did Clyde Hide?” is the result of a creative effort from Executive Producer/Show Runner Ruth Kaufman, Producer Sandy Gulliver and Director Sean Patrick Leonard. Kaufman and Leonard talk about the series, naturally, via Zoom.
America
‘The Upside’ Works Because of Kevin Hart & Bryan Cranston
Submitted by PatrickMcD on January 11, 2019 - 10:48am Rating: 3.5/5.0 |
CHICAGO – In 2011, there was a notable French film called “The Intouchables,” based on the true story of quadriplegic Phillippe Pozzo di Borgo and the relationship with his caregiver. Leave it to the U.S. film industry to get its sticky fingers on the story, and seven years later Bryan Cranston portrays “Phillip” and his caretaker is portrayed by Kevin Hart. Instead of story, this version relies on its lead actors.
‘The Meg’ is a Proud $150 Million Dollar ‘B’ Movie
Submitted by PatrickMcD on August 12, 2018 - 8:27am Rating: 3.0/5.0 |
CHICAGO – From their golden age from the 1950s to the 1970s, the infamous “B” movies – usually the third feature at the drive-in, or playing in the crumbling old theaters – were targeted to teens. In the modern era, these films are now given $150 million dollar budgets and wide releases. Case in point, the shark movie called “The Meg.”
Remake of ‘Overboard’ a Fun & Unexpected Treat
Submitted by PatrickMcD on May 4, 2018 - 9:51am Rating: 4.0/5.0 |
CHICAGO – When the movie remake of the 1987 charmer “Overboard” was announced last year, immediately my thought was “it will stink.” But the creators of this remake didn’t listen, and produced a charmer of their own, twisting the premise and adding the hope of America. If that ain’t heart, I don’t know what is.
‘Kingsman: The Golden Circle’ is High-Flying Spy Fun
Submitted by PatrickMcD on September 22, 2017 - 8:41amRating: 3.5/5.0 |
CHICAGO – “Kingsman: The Golden Circle” is a hard “R”-rated sequel with a thoroughly juvenile soul. It pairs silly wordplay, dirty jokes and a startling amount of bloody and gratuitous violence while its tongue remains thoroughly in cheek. This is a James Bond movie as made by an unusually sadistic 16-year-old under the influence of some not entirely legal substances.
Glaring Lack of Originality Handicaps ‘The Bad Batch’
Submitted by PatrickMcD on June 25, 2017 - 7:00pmRating: 3.0/5.0 |
CHICAGO – Dystopia has been dissed out. Mining the negative vibe future world can’t seem to touch the rich creative vein any more and the reserves seem dry. Writer/director Ana Lily Amirpour may have an element within her interpretation that is hard core, but it’s not enough to understand the overall vision of her tomorrow world, except that we’re all part of “The Bad Batch.”
‘The Purge: Anarchy’ Can’t Decide What it Wants to Be
Submitted by PatrickMcD on July 17, 2014 - 7:26pmRating: 3.0/5.0 |
CHICAGO – “The Purge: Anarchy” is a cake-and-eat-it film. On one hand there is a monotonous display of firepower, courtesy of a suspension of laws for one night a year, but it also wants to temper this lawlessness with indictments of government, the rich and the law itself.
Nothing But Fear, Anger in Dinesh D’Souza’s ‘America’
Submitted by PatrickMcD on July 12, 2014 - 8:03am Rating: 1.0/5.0 |
CHICAGO – Dear Dinesh D’Souza: Why are you afraid of alternate narratives in American History? History, as we know, is written by the winners, and you seem all sad and angry that one man, Howard Zinn, wrote a History of the United States by defining the desperation of the people left behind in the American dream. Why is that so awful? You define it as “progressive left wing” narrative, but what is your propaganda film – blithely called “America” – but a distillation of your view of history?
