CHICAGO – One the brightest comedies set in Chicago is “South Side,” created by Bashir Salahuddin and Diallo Riddle. The pair moved the show from Comedy Central to HBO Max, and Season Two dropped for streaming on November 11th, 2021, with the same free-wheeling and hilarious misadventures of Simon and Kareme.
America
Ain’t That America! Audio Review of ‘Holler’
Submitted by PatrickMcD on June 11, 2021 - 9:07am Rating: 3.5/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com audio film review on the new film “Holler,” an IFC Films new release about a brother and sister trying to survive in a dying factory town. In select theaters and through Video On Demand beginning June 11th, 2021.
The Beckoning Road! On-Air Review of ‘Nomadland’
Submitted by PatrickMcD on February 19, 2021 - 6:11pm Rating: 4.0/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on February 16th, 2021, reviewing the new film “Nomadland,” in theaters and streaming on HULU beginning February 19th, 2021.
‘The Upside’ Works Because of Kevin Hart & Bryan Cranston
Submitted by PatrickMcD on January 11, 2019 - 10:48amRating: 3.5/5.0 |
CHICAGO – In 2011, there was a notable French film called “The Intouchables,” based on the true story of quadriplegic Phillippe Pozzo di Borgo and the relationship with his caregiver. Leave it to the U.S. film industry to get its sticky fingers on the story, and seven years later Bryan Cranston portrays “Phillip” and his caretaker is portrayed by Kevin Hart. Instead of story, this version relies on its lead actors.
‘The Meg’ is a Proud $150 Million Dollar ‘B’ Movie
Submitted by PatrickMcD on August 12, 2018 - 8:27am Rating: 3.0/5.0 |
CHICAGO – From their golden age from the 1950s to the 1970s, the infamous “B” movies – usually the third feature at the drive-in, or playing in the crumbling old theaters – were targeted to teens. In the modern era, these films are now given $150 million dollar budgets and wide releases. Case in point, the shark movie called “The Meg.”
Remake of ‘Overboard’ a Fun & Unexpected Treat
Submitted by PatrickMcD on May 4, 2018 - 9:51amRating: 4.0/5.0 |
CHICAGO – When the movie remake of the 1987 charmer “Overboard” was announced last year, immediately my thought was “it will stink.” But the creators of this remake didn’t listen, and produced a charmer of their own, twisting the premise and adding the hope of America. If that ain’t heart, I don’t know what is.
‘Kingsman: The Golden Circle’ is High-Flying Spy Fun
Submitted by PatrickMcD on September 22, 2017 - 8:41amRating: 3.5/5.0 |
CHICAGO – “Kingsman: The Golden Circle” is a hard “R”-rated sequel with a thoroughly juvenile soul. It pairs silly wordplay, dirty jokes and a startling amount of bloody and gratuitous violence while its tongue remains thoroughly in cheek. This is a James Bond movie as made by an unusually sadistic 16-year-old under the influence of some not entirely legal substances.
Glaring Lack of Originality Handicaps ‘The Bad Batch’
Submitted by PatrickMcD on June 25, 2017 - 7:00pmRating: 3.0/5.0 |
CHICAGO – Dystopia has been dissed out. Mining the negative vibe future world can’t seem to touch the rich creative vein any more and the reserves seem dry. Writer/director Ana Lily Amirpour may have an element within her interpretation that is hard core, but it’s not enough to understand the overall vision of her tomorrow world, except that we’re all part of “The Bad Batch.”
‘The Purge: Anarchy’ Can’t Decide What it Wants to Be
Submitted by PatrickMcD on July 17, 2014 - 7:26pmRating: 3.0/5.0 |
CHICAGO – “The Purge: Anarchy” is a cake-and-eat-it film. On one hand there is a monotonous display of firepower, courtesy of a suspension of laws for one night a year, but it also wants to temper this lawlessness with indictments of government, the rich and the law itself.
Nothing But Fear, Anger in Dinesh D’Souza’s ‘America’
Submitted by PatrickMcD on July 12, 2014 - 8:03am Rating: 1.0/5.0 |
CHICAGO – Dear Dinesh D’Souza: Why are you afraid of alternate narratives in American History? History, as we know, is written by the winners, and you seem all sad and angry that one man, Howard Zinn, wrote a History of the United States by defining the desperation of the people left behind in the American dream. Why is that so awful? You define it as “progressive left wing” narrative, but what is your propaganda film – blithely called “America” – but a distillation of your view of history?
