Alessandro Nivola

Strange Story of ‘Disobedience’ is Constant Distraction

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The director Sebastían Lelio is no stranger to oddball human stories. His 2017 film, “A Fantastic Woman” – the Oscar winner for Best Foreign Language Film – was a one-of-a-kind but amazingly poignant story of identity. His latest, “Disobedience,” mines the same human territory with lesser results.

Stylish, Well Performed ‘You Were Never Really Here’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Actor Joaquin Phoenix almost solely specializes in portraying broken souls, but he also does it with such intensity that he adds necessary depth to those characters, to allow for their redemption. As a hit man for hire in the new film “You Were Never Really Here,” he again reaches beyond the darkness.

Jessica Chastain, Oscar Isaac Endure ‘A Most Violent Year’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The effect of violence, centering on the roughest statistical year for it (1981) in New York City history, becomes a flashpoint for the way business has always been done. If someone isn’t intimidating their competitor with lawyers or shady marketing practices, a few hired goons can do the trick. Oscar Isaac takes the beating, both real and metaphorical, in writer/director J.C. Chandor’s “A Most Violent Year.”

Great Performances Drive Entertaining ‘American Hustle’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

As career con man Irving Rosenfeld (Christian Bale) introduces newly-undercover FBI agent Richie DiMaso (Bradley Cooper) to his world of criminal enterprise, he shows him a Rembrandt painting in a museum, revealing that it’s a fake. Millions of people have seen and admired it, not realizing that it’s not the original. Does it matter if they get the same artistic enjoyment out of it?

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