CHICAGO – If you’ve never seen the farcical ensemble theater chestnut “Noises Off,” you will see no better version than on the Steppenwolf Theatre stage, now at their northside Chicago venue through November 3rd. For tickets and details for this riotous theater experience, click NOISES OFF.
Despite Flopping as a Comic Book Movie, ‘Red 2’ Coasts By with Well-Written Characters
- Adam Fendelman
- Anthony Hopkins
- Bruce Willis
- Byung-hun Lee
- Catherine Zeta-Jones
- Cully Hamner
- David Thewlis
- DC Entertainment
- Dean Parisot
- Erich Hoeber
- Garrick Hagon
- Helen Mirren
- HollywoodChicago.com Content
- John Malkovich
- Jon Hoeber
- Jong Kun Lee
- Mary-Louise Parker
- Movie Review
- Neal McDonough
- Red
- Red 2
- Warren Ellis
Rating: 2.5/5.0 |
CHICAGO – If you didn’t see the DC Entertainment splash screen when this “Red 2” sequel kicks off with the fake death of one of its usual suspects, you wouldn’t mind that the rest of the film feels nothing like a comic book movie except for its animated transitions between scenes.
No “comic book fan” would say this movie does the intensely cult-favorite genre any justice or holds up in even close to the same league as other DC films like “The Dark Knight,” “Watchmen” and various “Superman” attempts.
Image credit: Frank Masi, SMPSP
So despite this massive missed opportunity, abandoning that failure does allow you to find a silver lining in other redeeming qualities. In a film that packs in so many “A”-listers, this time it pays off. Each one brings a uniquely defined and mostly memorable addition to an overall story that’s somewhere in between great and too thin.
Bruce Willis (Frank) is an old fart who’s trying to be a retired CIA agent but can’t help himself from still kicking some good old bad guy ass. John Malkovich (Marvin) is his friend, partner in crime and an elite operative, too. He also can’t turn down being reunited for the shared goal of traveling the globe to track down a small nuclear device that packs a powerful punch.
Image credit: Frank Masi, SMPSP
The worst part of the film and an otherwise well-written character line-up is Catherine Zeta-Jones as Katja. She plays a Russian as inauthentically as George Bush would play a woman. While she could be easily cut out, Katja does serve one purpose: a flirt who tries to come between Bruce Willis and his main squeeze Mary-Louise Parker (Sarah). Now Sarah, on the other hand, steals the show.
She doesn’t fit in with this gaggle of true criminals because she’s a delicate flower (or is she?) with no nefarious skills. And she’s trying to have a “normal” relationship with a trained killer, which provides “Red 2” with some genuinely enjoyable comedy relief. While you don’t feel throw-you-against-the-wall sexual passion, you can enjoy the comedic cuteness of this completely mismatched couple.
Image credit: Jan Thijs
Then there’s the 68-year-old, still-radiant Helen Mirren. Again playing against type, you can’t help but love seeing her manhandle weapons with a placid demeanor that appear too heavy for her to carry.
Along with a just-right Mary-Louise Parker and Helen Mirren, a 76-year-old Anthony Hopkins (Bailey) plays the pleasurable mad scientist who’s locked up in the loony bin (or is he?) after harnessing “red mercury”. It’s a bomb that could shift the power of global terrorism over night.
Image credit: Frank Masi, SMPSP
When you add them all up and include “The Matrix”-like fighting skills of “world’s best hitman” Byung-hun Lee (who plays Han Cho Bai), you get a film that’s stronger with each character it has successfully defined than the overall movie it has created with them.
Their collective mission feels forced, uninspired and much like a common Hollywood plot that’s trying to earn its keep as a decent popcorn flick. But it’s not nearly as interesting as the quirks and intricacies of each character, which will be enjoyed by “Red 2” moviegoers even if they didn’t see 2010’s “Red”.
Image credit: Frank Masi, SMPSP
Behind the scenes, two of the main stars of “Red 2” are character writers Warren Ellis (“Red,” “Iron Man 3”) and Cully Hamner (“Red”). The film is again written by the brotherly duo Jon Hoeber and Erich Hoeber (who wrote “Red,” Kate Beckinsale’s “Whiteout” and 2012’s “Battleship”). But while its characters end up being the film’s primary saving grace, “Red 2” (an acronym for “Retired, Extremely Dangerous”) is most adversely knocked in its purpose for being there.
You get the feeling this team didn’t need to return to the screen. Instead, they only did to be employed again and to build more of a franchise from a first film that earned $199 million worldwide on a production budget of $58 million. “Red 2” increased its production budget to $84 million, but in many ways felt like an excuse just to do it all over again rather than a well-scripted need to return for further fleshing out.
By ADAM FENDELMAN |