Walt Disney Pictures

CHICAGO – The latest tendency of Walt Disney Pictures to make live action remakes of their classic cartoons should have stopped at “Jungle Book” and “Beauty and the Beast.” The last three, “Dumbo,” “Aladdin” and now “The Lion King” subtract from their source cartoons, and the King is downright weird.

CHICAGO – Kumail Nanjiani is reaching the next level of stardom. Recently, he was the best thing in the rebooted “MIB: International” (as a cartoon sprite), and now he is the only reason to indulge in “Stuber.” Kumail portrays a nervy UBER driver named Stu (get it?), and upholds everything about the buddy movie that is enjoyable. The rest of it, including his buddy Dave Bautista, land with a dull thud.

CHICAGO – When you’ve brought to life one of the greatest animation series ever produced, there is not much to prove. The “Toy Story” series has relied on the strong and emotional stories since 1995, and after a nine year break comes back for one more intriguing spin for their characters, finding a new path in “Toy Story 4.”

CHICAGO – Leave it to Marvel Entertainment to produce another “marvel-ous” take on their angst-ridden superhero characters. The latest X-Men film, called the last of this series, is “Dark Phoenix,” and it contains comic book action that is unprecedented for its originality and sheer power. It’s another winner.

CHICAGO – The Walt Disney Studio (cash) obsession with turning their animated film hits to live action movies continues this Memorial Day weekend with “Aladdin,” which adapts the 1992 classic. What worked in 2018 with “Beauty and the Beast” falls flat with this title, because the animated version plays better.

CHICAGO – It is the tenth anniversary of Disneynature, the arm of Walt Disney Pictures that releases a new nature doc around every Earth Day. This year the naturally visual interest of “Penguins” are their subject, and the film does a nice job on the life cycle journey of these fascinating flightless birds.

CHICAGO – The Best Animated Film category at the 91st Academy Awards honor both these visual treats and their status in the new Golden Age. The visual density of today’s animation reaches a new height in a rare Walt Disney Studio sequel, “Ralph Breaks the Internet.” This is a follow-up to “Wreck-It Ralph,” a huge animated hit film. Returning to guide the sequel, which has Wreck-It Ralph “inside” the internet, are co-directors Phil Johnston and Rich Moore.

CHICAGO – The visual density of today’s animation reaches a new height in a rare Walt Disney Studio sequel, “Ralph Breaks the Internet.” This is a follow-up to “Wreck-It Ralph,” a huge animated hit film. Returning to guide the sequel, which has Wreck-It Ralph “inside” the internet, are co-directors Phil Johnston and Rich Moore.

CHICAGO – If you liked Pixar Animation’s original “The Incredibles” of 14 years ago, then you’ll find a lot to like with this sequel, which puts these “supers” back in their suits for another go around to save the world. The action in “Incredibles 2” picks up almost immediately after the original film left off.

CHICAGO – “Solo: A Star Wars Story” is one intergalactic space adventure that sadly never makes the jump to light speed. The end result Is not awful, it’s not great, it’s just kinda okay… it slavishly attends to the beats hinted at in the original trilogy without offering much in the way of surprises, or freshness.