Matt Fagerholm

CHICAGO – Twenty-three years after it was made, and nineteen years after its limited theatrical release, “Henry: Portrait of a Serial Killer” is as potent and relevant as ever. Filmmaker John McNaughton, along with writing partner Richard Fire, proved that true horror is found not in manufactured scares that jolt the audience like a theme park ride, but in the corrupted mind and soul of an evil being.

CHICAGO – Hugh Jackman is an awfully likable guy. He oozes the kind of effortless photogenic charisma most movie stars would kill for. He’s also comfortable in his masculinity, and unafraid to expose his inner vulnerabilities and self-deprecation.

CHICAGO – The History Channel has an unfortunate history of sensationalizing history for the sake of entertainment. Consider the promo for the network’s recent special on the Tate/LaBianca murders. It’s not enough that the program recounts the tragic events leading up to the Manson Family’s horrific crimes.

CHICAGO – Filmmaker Sam Mendes has always been drawn to telling stories set in a dysfunctional America where the sanctity of marriage is anything but “sanct.” For the past decade, he has specialized in brutally frank social satires about the deterioration of the American family. His work is nearly always riveting, but could never be described as “feel good”…until now.

CHICAGO – Here’s a perfect example of Hollywood filmmaking at its laziest. It’s difficult to imagine anyone in front of the camera or behind it breaking much of a sweat in their half-hearted attempt to satisfy a mainstream audience equipped with the lowest possible expectations.