John Krasinski

CHICAGO – Terror and fear take several forms. Sometimes it’s something as simple as spiders or snakes or even an incompetent president. Other times it can take the form of natural states, like darkness. Horror films channel our fears, but the great ones give us something new to fear. “A Quiet Place” lures us in with the safety of silence, only to reveal the monsters hiding within.

CHICAGO – It has become clear to anyone who is making an observation about authority and “order” in America, that for certain people it comes with a severe price. “Detroit” explores an incident within the 1967 riots there, when white police officers raided a hotel and perpetuated crimes of their own.

CHICAGO –To quote the sublime Bruce Springsteen, it’s just “talk, talk, talk ‘til you lose your patience.” Well, that ain’t HollywoodChicago.com’s Patrick McDonald, who throws down the über-interview on a series of movers, shakers and magical filmmakers. Oscar Day is perfect for the Top 20 talks of 2016.

CHICAGO – Any story involving family interactions is ripe for exploration, and John Krasinski (“The Office”) performs in and takes the director’s chair for the new film, “The Hollars.” This is his second directorial effort, looking at the somewhat dysfunctional title family during a medical crisis involving the mother (Margo Martindale).

CHICAGO – Director Michael Bay’s new film interpretation of the controversial Libyan battle, “13 Hours: The Secret Soldiers of Benghazi,” began with the true events. Consulting the production were three of the actual participants in that tense battle, Kris “Tanto” Paronto, Mark “Oz” Geist and John “Tig” Tiegan.

CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the highly anticipated thriller “13 Hours: The Secret Soldiers of Benghazi” starring John Krasinski from Michael Bay!

CHICAGO – Films with major movie stars that take real chances on story formula are rare. “Aloha” is one such example, and produces considerations that are way off the beaten path. Is it an allegory? An absurdity? An homage to 1960s paranoia? Only writer/director Cameron Crowe knows for sure.

CHICAGO – The master animator and film legend Hayao Miyazaki (“Howl’s Moving Castle,” “Spirited Away,” “Princess Mononoke”) announced his retirement after his latest film, “The Wind Rises.” He is often called “Japan’s Walt Disney,” but there is more to him then that, a soul and a mystery that is revealed in the stages of his animated art, and his contribution to artistic culture will continue to influence for generations to come. “The Wind Rises” is nominated for Best Animated Film at the 2014 Academy Awards.

CHICAGO – When a film promises to tackle a timely topic like fracking, it has raised the bar of expectations considerably. Sure, the filmmakers don’t need to take a stand on the issues they raise, but they have an obligation to explore them with some level of depth or insight. Otherwise, they risk getting charged with committing a “bait and switch,” and that’s precisely what Gus Van Sant’s “Promised Land” does.

CHICAGO – As I learned on my inaugural trip to Sundance (check out all the coverage here) this year, there is common discussion as to how things will play outside of the thin mountain air of Park City. People wonder what will be the next “Beasts of the Southern Wild” or “Winter’s Bone” and what will never get the hype it gets at Sundance. Two films that peaked at Sundance 2012, “Hello I Must Be Going” and “Nobody Walks” were recently released on DVD. One is worth your time while the other never should have come off the snowy mountain.