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Jeanne Moreau

Film Review: Magic of Orson Welles Rings the ‘Chimes at Midnight’

Chimes at Midnight

CHICAGO – Another wondrous pleasure about director Orson Welles – as if he needed something else on his resume – is the discovery of his film career after the “Citizen Kane”/studio system/boy wonder period of the 1940s. Facing difficulties cobbling together financing for his evolving vision, he resorted to overseas money, international casts and more-for-less. One of the prime examples is “Chimes at Midnight” (1965), a Shakespeare amalgamation that is just another example of Wellesian audacity and yes, genius.

Blu-ray Review: Antonioni’s ‘La Notte’ Joins Criterion Collection

La Notte

CHICAGO – 1961’s “La Notte” helped build Michelango Antonioni’s international reputation after the success of “L’avventura” and lifted stars Marcello Mastroianni and Jeanne Moreau to an arthouse plateau. The film hasn’t aged as well as some of Antonioni’s best, in my opinion, although the 4K restoration on the new Criterion Blu-ray certainly helps one appreciate the visual compositions of its incredibly influential director. The release is a bit slight on supplemental material but fans of the filmmaker or star will simply be happy to have one of his more notable works in HD.

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