Fred Willard

CHICAGO – Jeff Garlin has created a good “character” in TV and films – a gruff but affable schlemiel that ambles through life as if distracted. He amplifies that role in his latest comedy, “Dealin’ with Idiots,’ but the loose improvisation style has too many unfunny stretches and an unpleasant spirit.

CHICAGO – Jeff Garlin is what he is. He wants to emphasize that characteristic over any in the formation and development of his many characters – most famously as Jeff Greene on “Curb Your Enthusiasm” and The Captain in the animated classic film “Wall-E.” Garlin also co-wrote and directed his latest film, “Dealin’ with Idiots.”

CHICAGO – The more one is familiar with the art of improv, the more one is bound to fall head over heels in love with the mockumentaries of Christopher Guest. Working from a mere scene outline, Guest and his ensemble of top-drawer comedians bring a colorful assortment of richly eccentric oddballs to life. Their ad-libbed dialogue is infinitely funnier than scripted punchlines since it emerges organically from their character’s own warped worldview.

CHICAGO – “Anchorman: The Legend of Ron Burgundy” is one of the most beloved comedies of the ’00s, a film that may have failed to crack $100 million on its initial release but has legions of fans who now know the entire script by heart after dozens of DVD and cable viewings. Like many comedy hits, Adam McKay’s directorial debut has been given the gift set treatment complete with collectibles and hours of special features. It’s exclusive to Best Buy for the next few months but we have a look at it for you now.

CHICAGO – “Youth in Revolt,” which hit the street on DVD on June 15, 2010, has about broken even since its theatrical debut on Jan. 8, 2010 with $18.3 million in global box-office earnings on a $18 million production budget.

CHICAGO – The new movie trailer and poster for the upcoming comedy “Youth in Revolt” with Michael Cera have been released and appear below for your indulgence.

CHICAGO – While perfection can be characterized in many ways, there’s only one way to define perfect in film: one with everything you could ask for and nothing you could cut. Though this a highly unlikely proposition, “WALL-E” has become 2008’s first perfect film and one of the best Pixar projects of all time.