Elton John

CHICAGO – Misty Rowe is a Country Music cultural icon, through her many years with TV’s “Hee Haw,” but she also portrayed Marilyn Monroe in “Goodbye, Norma Jean” (1976). She remembers it all in her new memoir, “Misty Memories.”

CHICAGO – Misty Rowe is a Country Music cultural icon, through her many years with TV’s “Hee Haw,” but she also portrayed Marilyn Monroe in “Goodbye, Norma Jean” (1976). She remembers it all in her new memoir, “Misty Memories.”

CHICAGO – In a surprising sweep, the South Korean film “Parasite” – created through the vision of director Bong Joon Ho – won all the major creative categories, including Best Original Screenplay and Director, as well as securing Best International Film and making Oscar history as the first non-English-speaking Best Picture.

CHICAGO – As a wee lad, one of the first records I bought was Elton John’s Greatest Hits. The album was magnficent, each song expressing the very emotion it sought to deliver. With that basis in mind, I approached John’s biopic “Rocketman” with a hope of deliverance. It felt flatter than a pancake under a steam roller.

CHICAGO – “Kingsman: The Golden Circle” is a hard “R”-rated sequel with a thoroughly juvenile soul. It pairs silly wordplay, dirty jokes and a startling amount of bloody and gratuitous violence while its tongue remains thoroughly in cheek. This is a James Bond movie as made by an unusually sadistic 16-year-old under the influence of some not entirely legal substances.

CHICAGO – Next year will mark the 50th Anniversary of the seminal 1960s sitcom, “I Dream of Jeannie.” Unforgettable – for many reasons – was Barbara Eden, who portrayed a genie named Jeannie. Ms. Eden was at the “Hollywood Show” Chicago last year, and was interviewed by HollywoodChicago.com.

CHICAGO – While “The Lion King” is one of the best Disney movies of all time, “The Lion King 3D” is a manipulative exploitation to bring paying parents back with their kids merely through the sexiness of today’s 3D fad.

CHICAGO – When the initial production of Elton John and Tim Rice’s “Aida” made its foray to the Broadway stage, following what was surely a tempestuous artistic adolescence, the public hurrah with which it was met signaled the birth of two eminent stage relations. First, that of John’s with both Broadway and West End investors, a collaboration that has far outstretched the boundaries set forth by “The Lion King”.

CHICAGO – As a tribute to “Borat,” let’s start with a lesson in “not” jokes.