Don Cheadle

CHICAGO – The 9th Chicago Critics Film Festival (CCFF) is on DAY FOUR, and will feature the film “Boogie Nights” – directed by Paul Thomas Anderson – in a special 25th Anniversary screening. The Fest continues through May 19th, click CCFF for schedule and ticket info.

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on July 15th, 2021, reviewing the reboot of the popular “Space Jam: A New Legacy” in theaters and streaming on HBO Max beginning July 16th.

CHICAGO – Coming off the multi-textured “Black Panther,” Marvel Studios now turns its assignment towards an Avengers movie, and man, everything is on the table. This overstuffed, somewhat overindulged journey of a tale never loses its flavor, and has surprises around every corner. Anticipate “Avengers: Infinity War.”

CHICAGO –To quote the sublime Bruce Springsteen, it’s just “talk, talk, talk ‘til you lose your patience.” Well, that ain’t HollywoodChicago.com’s Patrick McDonald, who throws down the über-interview on a series of movers, shakers and magical filmmakers. Oscar Day is perfect for the Top 20 talks of 2016.

CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the new comedy film “Kevin Hart: What Now?,” which was filmed at a full-capacity football stadium!

CHICAGO – “Captain America: Civil War” is more of an “Avengers” movie than it is a Captain America movie. But that’s okay because this is easily the best Avengers movie Marvel Studios has ever made, and it also might be the best movie the studio has ever made.

CHICAGO – Like improvisational jazz, the performance career of Don Cheadle has many moods, directions and shadings. For his latest film, he takes on the titles of co-writer and director, along with the lead role of music legend Miles Davis. This all comes together is the aptly titled “Miles Ahead.”

CHICAGO – Look. We all know sequels usually suck. And blockbuster films often get panned for overprioritizing special effects at the expense of a well-written story and character development. Even when a story in a big-budget film is redeeming, it’s practically impossible not to shoot holes through it.

CHICAGO – Critics and viewers fell in rapturous adoration of the legend of The Dark Knight when Christopher Nolan and his team took the risk of making character-driven superhero movies. To kick off the second phase of the Marvel Universe of films with this weekend’s “Iron Man 3,” Shane Black and the team behind this guaranteed blockbuster have done the same – presenting us with the most human Marvel flick since “Spider-Man 2.”

CHICAGO – Robert Zemeckis’ brilliant “Flight” has garnered some interesting responses from my friends in that they seem to not like the film because they don’t like Whip Whitaker, Denzel Washington’s alcoholic asshole of a lead character that earned him an Oscar nomination. The fact that Whitaker doesn’t beg to be liked and allows for such a morally gray performance is why I love the film. It’s complex, character-driven storytelling that is becoming increasingly rare in cinema.