Christopher Nolan

CHICAGO – An exciting opening on Friday, August 14th, 2020, for the historic Music Box Theatre (which was the first movie house to open with safety precautions last month). They will be the ONLY movie theater in America to screen the 70mm print of director Christopher Nolan’s “Inception.” AMC Theaters in Chicago and surrounding suburbs are re-opening on August 20th.

CHICAGO – David Dasmalchian is a comic book culture hero, in a sense. The kind, expressive and enigmatic actor (“Ant-Man”) will lend his considerable credentials as a self-professed “comic book nerd” to the exciting Mainframe Comic Con (MCC), the entirely online comic book convention taking place on April 25th and 26th, 2020.

CHICAGO – Back in 2007, actor David Dastmalchian got the call that he has secured a role in “The Dark Knight,” as one of the Joker’s henchmen. He was living in Chicago at the time, and from then on his world broke open. Today, David is a vital part of the Marvel (“Ant-Man”) AND DC universes (“Suicide Squad”), and has created his own comic, “Count Crowley.”

CHICAGO – It is the 50th Anniversary of director Stanley Kubrick’s “2001: A Space Odyssey,” and the film has lost none of its power, freshness and thought process, in a journey of truth that ponders existence. The film has been recently restored in 70mm (overseen by director Christopher Nolan) and now is on a roadshow tour, including Chicago’s historic Music Box Theatre.

CHICAGO – Cada semana, HollywoodChicago.com le traerá las criticas de las películas que hemos visto y que están saliendo esa semana, pero en español. HollywoodChicago.com ESP no sólo representa HollywoodChicago.com Espanol, sino también Esta Semana en Peliculas. Esta semana haremos una gira de guerra a través de la historia de la Segunda Guerra Mundial (“Dunkirk”), a la Guerra Fría (“Atomic Blonde”) y a la zona de guerra en casa (“Detroit”).

CHICAGO – War is hell, even in “The Good War.” The early days of World War II were a desperate time for the British, and the events of “Dunkirk” were largely about loss, yet mostly about inspiration. Director Christopher Nolan gives his film a grand cinematic treatment, evoking an era that has mostly faded away.

CHICAGO – Far more marvelous than imperfect, “Interstellar” is the answer for moviegoers who have lost the zeal for massive films, citing a lack of ideas, heart, or general passion for filmmaking. Director Christopher Nolan’s 2014 space odyssey is an event of beauty, with the rare experience of showing viewers something they haven’t seen before.

CHICAGO – Just like every year before it, there were no perfect films in 2014. I do not see this as a negative thing - reaching for greatness is far more electrifying than the plateau of achieving it, as presented in a hustler’s opus like ‘Whiplash,” which specifically eschews applause after a drum solo that just may have been perfection.

CHICAGO – It was Monday, Nov. 3, 2014 at 10:15 p.m. Leaving Navy Pier IMAX, I was driving north on Lake Shore Drive – a constantly busy, multi-lane highway that hugs the east of Chicago and separates it from water.

CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.