CHICAGO – If you’ve never seen the farcical ensemble theater chestnut “Noises Off,” you will see no better version than on the Steppenwolf Theatre stage, now at their northside Chicago venue through November 3rd. For tickets and details for this riotous theater experience, click NOISES OFF.
Film Review: Eyegasmic ‘Oblivion’ With Tom Cruise Wins Your Optics, But Loses Your Brain
CHICAGO – “Oblivion” is a Pyrrhic victory that wins its battle, but loses the overall war. While this is the kind of visual production value you’d expect on a $120 million budget, an ostentatious steak dinner in the special effects department never makes up for a story that tastes more like cheap ramen noodles.
Rating: 3.0/5.0 |
In an expensive film of this grandiose scale, neither can it afford to insult you with oversimplification nor overly complicate itself beyond your ability to reasonably comprehend it. While “Oblivion” from “TRON: Legacy” director Joseph Kosinski definitely doesn’t pander to the simple minded, its slipshod story devolves into a sci-fi discombobulation that gets lost in its own twists and turns.
“Oblivion” draws inspiration from more than two handfuls of other major films. For starters, “Prometheus” – though its story line is literally in another world – feels similar to “Oblivion” in terms of its majestic environments and its overall loneliness. Though both films feature vast imaginary lands with few primary characters, “Prometheus” succeeds in one key area where “Oblivion” fails: it inspires you to ask questions.
Read Adam Fendelman’s full review of “Oblivion”. |
When “Oblivion” complicates itself with two Tom Cruises and two Melissa Leos and how they interact with one other, you might be willing to remain misunderstood without caring to find a clear understanding. By contrast, a film like “Prometheus” – or other sci-fi masterpieces like “Star Trek,” “Star Wars” and “Alien” – inspires you to question deeply controversial curiosities about science, god, religion, faith and other lifelong debates.
In “Oblivion,” all along you get the feeling you’re dealing with an “I, Robot”- or “Eagle Eye”-esque artificially intelligent supercomputer that’s barking out commands from the mother ship. And in “Oblivion,” it’s hard to enjoy Melissa Leo’s Sally character because you have to constantly question why Andrea Riseborough’s Victoria and Tom Cruise’s Jack never do.
Image credit: David James, Universal Studios