Universal Pictures

The Worst Horror Film of 2014, ‘Ouija’ is ‘Mama’ From 11 Narcoleptic Producers

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Out of respect for the filmmakers and actors, I don’t walk out on films. I hold true to that even when I know in the first 10 minutes the film’s not for me. Perhaps the second act could surprise me. Maybe the whole film is a flop but it redeems itself with shock and awe in the last 5 minutes.

Artificially Glorified ‘Dracula Untold’ Lacks Reason for Being Retold

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – For moviegoers, each new film is a chance to escape, feel, fear, cry, be thrilled or laugh. Filmmakers and actors want you to experience this range of emotions, but producers and investors care most about the film making money. That’s why Hollywood is scared of truly original stories. Originality is an unknown without a built-in fan base.

‘A Walk Among the Tombstones’ Solidifies Desire for Liam Neeson to Be Your Dad

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – I don’t know about your dad, but mine – love him as I do – isn’t Jason Bourne, James Bond or Bryan Mills. At the age of 62, Liam Neeson somehow still kicks ass as Bryan Mills in “Taken” and fans everywhere love riding every minute of his butt-kicking thrill rides.

Liam Neeson in Forgettable ‘A Walk Among the Tombstones’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Liam Neeson still looks good being a badass, but “A Walk Among The Tombstones” is a vehicle unworthy of his particular set of skills. It’s not a tightly constructed thriller like “Non-Stop,” and it lacks the sheer over-the-top ludicrousness of “Taken 2.” This is largely a by-the-numbers jalopy that can best be called forgettable.

‘As Above/So Below’ Scrapes Bottom of Barrel

HollywoodChicago.com Oscarman rating: 0.0/5.0
Rating: 0.0/5.0

CHICAGO – “As Above/So Below” is strictly the pits. It’s a found footage horror film set in the Paris catacombs that defies logic, and relentlessly keeps digging itself into a hole until it’s dragged everyone in the audience down with it. It’s a movie that starts at stupid and then somehow proceeds to get progressively dumber and dumber, until it’s completely nonsensical and insane – and not in a good way. It’s quite simply the longest 90 minutes I’ve spent in a theater all year.

James Brown Bio ‘Get On Up’ Stuck in a Funk

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Get On Up” contains one dynamite performance trapped in a frustratingly mediocre movie. James Brown’s life and music offer a wealth of material to work with, but that doesn’t necessarily adhere to the conventions of a formulaic musical biopic.

Scarlett Johansson Packs a Blockbuster Punch in ‘Lucy’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Lucy” is a piece of high-minded cinematic junk food that manages to be outlandishly weird while still satisfying the lizard brain desires of its audience. It’s a film that knows what’ll get the behinds in the seats, and that appeal can effectively be summed up in one shot. It shows Scarlett Johansson in a tight-fitting white t-shirt walking in slow motion with her bosoms bouncing in unison, carrying two guns and ready to kick some serious ass.

‘The Purge: Anarchy’ Can’t Decide What it Wants to Be

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “The Purge: Anarchy” is a cake-and-eat-it film. On one hand there is a monotonous display of firepower, courtesy of a suspension of laws for one night a year, but it also wants to temper this lawlessness with indictments of government, the rich and the law itself.

‘A Million Ways to Die in the West’ Suffers Because Seth MacFarlane Casts Himself

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – A feature-length comedy is a daunting undertaking. But being consistently funny for 2 straight hours is like climbing Mount Everest blindfolded with no arms while taking selfies using your feet.

‘A Million Ways to Die in the West’ Goes in All Directions

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Two observations regarding Seth MacFarlane: one, he is a hilarious writer and voiceover talent. Two, he isn’t as good as a comic leading man, on screen and in live action. Those two elements clash brightly in the overlong but funny “A Million Ways to Die in the West.”

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