The Weinstein Company

‘Sin City: A Dame to Kill For’ Breaks No New Ground

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – When the first “Sin City” (2005) was released – based on the graphic novels by Frank Miller – the conversion of a film to a noir-like comic book atmosphere was pioneering. The sequel “Sin City: A Dame to Kill For” has heightened that look, but this time has much less to say.

‘The Giver’ Takes Too Much From Young Adult Formula

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “The Giver” must have seemed a lot newer back when it was written than it does now. The Newberry Medal winning, middle school staple predates many other Young Adult series about oppressive big brother-ish societies. But its filmed adaptation, coming on the heels of “Divergent” and “The Hunger Games,” can’t help but feel like it’s riding their coattails.

‘Snowpiercer’ is a Wild Ride, One-of-a-Kind Dystopia

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Travelers. We are travelers in this life, and metaphorically we’re mostly in coach, but sometimes manage to get some first class treatment. What if all this traveling were confined to one vehicle? Imagine a future world contained in a constantly traveling train, and the premise for “Snowpiercer” realizes a one-of-a-kind dystopia.

Colin Firth, Nicole Kidman on Track in ‘The Railway Man’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – One of the hidden implications of World War II was the suffering of Post Traumatic Stress Syndrome (PTSD) from the millions of soldiers who survived the horrors of that war. The difficulties associated with PTSD are communicated with honor by Colin Firth in “The Railway Man”

Family Secrets, Fine Acting in ‘August: Osage County’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – There will be inevitable comparisons to the Pulitzer Prize-winning stage version of “August: Osage County” from the thousands of people who have been touched by the stage play. But in giving the film version a chance, there is the same passion, drama and heat of family dysfunction within it, with a dream cast.

Legacy Matters in ‘Mandela: Long Walk to Freedom’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The memory of South Africa freedom fighter Nelson Mandela, who passed away on December 5th, is filled with deserved accolades and iconography. Director Justin Chadwick and actor Idris Elba brings the man to human life in the essential “Mandela: Long Walk to Freedom.”

Life’s Other Plans at Full Disclosure in ‘Philomena’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Although “Philomena” sounds like a faraway land, it actually is a name of a real Irish lady, who lost her son through a Catholic adoption service that was designed to hide her out-of-wedlock pregnancy. Judi Dench portrays the title character as an older woman, with Steve Coogan as the reporter trying to help locate the son for her.

Author Remains Elusive in Documentary ‘Salinger’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Jerome David Salinger, J.D. to his readers, remains one of the most influential and controversial authors of the 20th Century. Known intuitively for the classic novel “Catcher in the Rye,” he also was known as a reclusive soul. His life and times make up the new documentary, “Salinger.”

Family Emotions Uplift ‘Lee Daniels’ The Butler’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In one of the more intriguing ways to frame the 1960s civil rights movement, “Lee Daniels’ The Butler” places the context of that African American struggle through the filter of family dynamics, focusing on the father as a butler in the White House, through six presidents.

Background Singers Get Up Front in ‘20 Feet from Stardom’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – One the great points in “20 Feet from Stardom” is that often in our favorite hit songs, we sing along to the background singers rather than the lead vocal (“Sweet home Alabama, Where the skies are so blue…”). These classic songsters come front and center in “20 Feet from Stardom.”

Syndicate content

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

Advertisement



HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
tracker