Ray Winstone

Rating: 4.0/5.0

CHICAGO – The Shrek franchise, which had been showing signs of creative exhaustion dating all the way back to “Shrek The Third,” gets an unexpected dose of new life with this belated – and better than it has any right to be – sequel “Puss In Boots: The Last Wish,” focusing on the swashbuckling feline (voice of Antonio Banderas).

Rating: 3.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on July 8th, 2021, reviewing the latest film in the Marvel Cinematic Universe, “Black Widow,” in theaters and streaming on Disney+ Premium Access on July 9th.

Rating: 3.0/5.0

CHICAGO – If you’re going to see a Sean Penn action movie, I guess “The Gunman” would be appropriate. As he and the filmmakers inject some reality in the usual motivations, the puzzle pieces don’t connect well and in the end are not that interesting. That is not to say that the film is bad.

Rating: 5.0/5.0

CHICAGO – Imagine a stranger taking a journey around the landscape of their destiny. That only begins to describe the audacity and power of director Jonathan Glazer’s “Under the Skin.” Scarlett Johansson creates a character of undeniable mystery and truth, a stranger in a strange land.

Rating: 4.0/5.0

Darren Aronofsky’s controversial “Noah” exists somewhere between the sentimental, straight-faced versions of biblical tales that Hollywood has been producing for decades and more auteur-driven fare like Martin Scorsese’s “The Last Temptation of Christ”.

Rating: 2.5/5.0

CHICAGO – If you can stomach forgiving the film’s uneven acting, inconsistent pacing and a higgledy-piggledy script that feels like it’s still in draft mode, just zero in on the only newsworthy question about “Snow White and the Huntsman”: Who are those “dwarves”?

Rating: 3.5/5.0

CHICAGO – Martin Scorsese’s “Hugo” is a deeply personal piece, a magical tale about imagination and the importance of film preservation presented with some of the most technical expertise in years. It is also a strikingly cold film, an adventure that doesn’t contain the whimsy, pace, or charm that it really needed to in order to connect emotionally as well as intellectually.

CHICAGO – Check off this list of stock movie characters: the broke rogue adventurer, his sensible love interest, the daffy heiress, her gruff but benign wealthy father, the evil rival, the doltish but loyal sidekick, the evil rival’s goons and the “seems to be evil but in the end turns out heroic” buddy.

CHICAGO – It’s all the rave today to exhume an epic from long, long ago and bring it back on the monster screen bigger, better and with more grandeur than ever fathomable before.