Paul Thomas Anderson

Rating: 3.0/5.0

CHICAGO – There is a certain beauty in human creation, and the fashion industry allows that we can be individual in the sense of our clothing choices. The perfection that those creators attend to is nicely defined in “Phantom Thread,” but as an exploration of their personal life, it is frustrating.

Rating: 3.5/5.0

CHICAGO – Interpreting the ambling and sonic prose of author Thomas Pynchon has eluded filmmakers until now. Director Paul Thomas Anderson takes a whack at “Inherent Vice,” and although much of the film has his usual eminent vision, as a whole it makes for difficult sledding.

Rating: 5.0/5.0

CHICAGO – Paul Thomas Anderson’s “The Master” screened publicly last week in Chicago for only the second time in the world. It was shown in glorious 70mm, the format in which the film was shot, but in which most people will never get the chance to see it. While much of the conversation surrounding the screening seemed to hinge around the technical specifications, the increasing dearth of actual film projectors in the city, or the aspects of the plot related to Scientology, those aren’t the elements of the film that have been rolling around my head for the last four days.

Rating: 3.0/5.0

CHICAGO – The national acting treasure Julianne Moore never shies away from a performance challenge.

From her memorable exposure in Robert Altman’s “Short Cuts” to her willingness to go all the way in Paul Thomas Anderson’s “Boogie Nights,” Moore has proven that true vulnerability in a role requires the ability to bare – and bear with – all.

CHICAGO – It has been a banner year so far for the Israeli film industry. Following the American debuts of “The Band’s Visit” and “Beaufort,” we now have the stunningly composed and heart-rending “Jellyfish”.