Paramount Pictures

Rating: 2.0/5.0

CHICAGO – It may be damning with faint praise, but I can assure you that “Sonic the Hedgehog” is no longer the stuff of nightmares. The-Island-of-Dr-Moreau-like creation which seemed half human half hedgehog in the film’s first trailer, has been replaced by something more akin to the Sonic we know from video games and cartoons. He’s cute. He’s fast. But he’s not particularly funny.

Rating: 2.5/5.0

CHICAGO – As a wee lad, one of the first records I bought was Elton John’s Greatest Hits. The album was magnificent, each song expressing the very emotion it sought to deliver. With that basis in mind, I approached John’s biopic “Rocketman” with a hope of deliverance. It felt flatter than a pancake under a steam roller.

Rating: 3.5/5.0

CHICAGO – Most animated films depicting the “family” often includes a parallel lesson about togetherness or some such domestic symbolism. In “Wonder Park,” the lesson is how the spark of imagination can keep a childhood alive. When that spark is temporarily dosed, the destination of the title also suffers.

Rating: 4.0/5.0

CHICAGO – By any reasonable account, Tom Cruise should be entering into a phase in the “Mission Impossible” series not unlike the latter James Bond films of Roger Moore… appearing in closeups and letting the stuntmen do the rest. However, Cruise continues to outrun the ravages of time, and his stunts only seem to get crazier in the sixth film, “Mission Impossible: Fallout.”

Rating: 4.0/5.0

CHICAGO - Terror and fear take several forms. Sometimes it’s something as simple as spiders or snakes or even an incompetent president. Other times it can take the form of natural states, like darkness. Horror films channel our fears, but the great ones give us something new to fear. “A Quiet Place” lures us in with the safety of silence, only to reveal the monsters hiding within.

Rating: 3.5/5.0

CHICAGO – Alex Garland, the standout creator/director of “Ex Machina,” is back with “Annihilation,” another science fiction story. And like the previous film, it explores implications of a sci-fi event, in this case an outer space incident that restructures a cellular code, that ends up destructive.

Rating: 2.5/5.0

CHICAGO – “Downsizing” is an interesting premise that doesn’t ultimately go anywhere interesting. Part of the problem is that writer/director Alexander Payne doesn’t seem to know what kind of a movie he wants it to be… it’s part cerebral Woody Allen futuristic comedy, part sci-fi social satire about Midwestern malaise, and winds up failing at both.

Rating: 2.0/5.0

CHICAGO – Having lived in both the suburbs and in major cities throughout my lifetime, I can say without hesitation that the suburbs tend to be dull, boring and bereft of creativity. To be fair, it’s not their fault since they’re built for efficiency and with placidity in mind. “Surburbicon” is made in much the same way, becoming the one thing a film shouldn’t be: boring.

Rating: 4.5/5.0

CHICAGO – In a film that is unsettlingly and regally composed with deep purpose and symbolism, “mother!” fulfills the nature of what it proposes to communicate within layers of essentially rendered storytelling and cinematic perspective. It can potentially change your overall point of view.

Rating: 3.5/5.0

CHICAGO – Knock me over with a feather kids, but I enjoyed “Transformers: The Last Knight.” Maybe it was in comparison to the others or maybe director Michael Bay has beaten me into submission, but this one had the right story elements and casting to make it work, with exceptions of course.