Liam Neeson

Everything That Rises! Audio Film Review of Ethan Hawke’s ‘Wildcat’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com audio film review for the “Wildcat,” co-written and directed by Ethan Hawke and featuring his daughter Maya as 20th Century writer Flannery O’Connor. Currently in select theaters since May 17th. See local listings.

Black-Eyed Blonde! On-Air Film Review of ‘Marlowe’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on February 16th, 2023, reviewing “Marlowe,” featuring Liam Neeson as the famous private eye Philip Marlowe. In theaters beginning February 15th.

Liam Total Recall Neeson! On-Air Film Review of ‘Memory’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on April 28th, reviewing “Memory,” the latest action film, based on a Belgium novel/film, starring Liam Neeson, in theaters April 29th.

Taken in by Liam! On-Air Review of ‘Honest Thief’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on The Eddie Volkman Show on WSSR-FM (Star 96.7 Joliet, Illinois) on October 16th, 2020, reviewing the new Liam Neeson action movie, ‘Honest Thief, also featuring Robert Patrick of “Terminator 2.”

Boot This Reboot of ‘Men In Black International’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Men in Black International” is less a reboot than a frantic attempt at CPR for the once viable franchise … which never should have made it to a fourth installment. That’s not to say this is totally unwatchable. But it’s a kind of okay not-that-great-not-that-awful iteration which neither reminds us why we liked the series in the first place nor has much of a reason to exist.

‘The Commuter’ is a Fun, Butt-Kicking Good Time

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Sometimes you’re just in the mood for a good old Liam Neeson ass-kicker… and “The Commuter” fits that bill. It asks, damn near requires, you to leave your brain safely at the station, but it moves too fast that you don’t have much time to think about it. It’s ludicrous, dumb and fun entertainment for January.

Cautionary ‘Mark Felt: The Man Who Brought Down the White House’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Everything old is new again, in the 1970s story of the infamous “Deep Throat” – the source in the FBI who tipped off the Washington Post about the issues surrounding Watergate scandal – who revealed himself in 2005. He is now the subject of a new film, and is portrayed by Liam Neeson, in “Mark Felt: The Man Who Brought Down the White House.”

‘Silence’ is an Overwrought View of Religious Faith

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – For gosh sakes, someone call the Vatican and make Marty Scorsese an honorary priest. He is overtly fascinated – in this work and his other films – with the notion of religious faith, particular within his Catholic roots. He approaches the subject again in the intense “Silence.”

Fantasy & Feelings Comingle in ‘A Monster Calls’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The nature of dying, especially in process with a close loved one, is a testing ground for unwieldy and alien emotions. When, why and how we’re challenged does not have a timetable, nor a convenience. All of this is played out as fantasy in the vital “A Monster Calls.”

‘The Huntsman: Winter’s War’ is a Bloated Bore

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – This new Hollywood fairy tale does have one thing in common with the bedtime stories of old…it may lull you to sleep in the first 30 minutes. “The Huntsman: Winter’s War” is a special effects extravaganza where the effects aren’t special, the story is thin, and almost all the actors seem to have been allowed or even encouraged to indulge their worst impulses.

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