Frances McDormand

Rating: 4.5/5.0

CHICAGO – Fans of director Wes Anderson will find plenty to love in his second stop motion animated feature (after “Fantastic Mr. Fox”), entitled “Isle Of Dogs.” It’s an immersive and intricately detailed story set in Japan, and features a dizzying array of visual gags, along with Anderson’s trademark whimsy.

Rating: 4.5/5.0

CHICAGO – Film is often an expression of our society, either as a depiction of how it really is or how it should be. Few films are as daring as Martin McDonagh’s “Three Billboards Outside Ebbing, Missouri,” which isn’t afraid to show us the state of our society and offer a realistic solution through a grim drama that is as humorous as it is devastating.

Rating: 5.0/5.0

CHICAGO – Writer/directors Joel and Ethan Coen love the movies, and that love is magnificently played out in “Hail, Caesar!” As they riff on religion, geopolitics and 1950s morality, while wonderfully celebrating and spoofing an era in movies that will never be again, the Coens abide and deliver.

Rating: 2.5/5.0

CHICAGO – The animation in Pixar Studio’s latest feature ,“The Good Dinosaur,” is nothing short of extraordinary. At times throughout the film, the images looked like they came right out of National Geographic, and I truly couldn’t believe i was watching animation. However, this delightful animation is in service to an undistinguished prehistoric buddy comedy that wouldn’t be out of place in an episode of “The Flintstones.”

Rating: 2.5/5.0

CHICAGO – When a Gus Van Sant picture works well, it can be as rousing as “Milk” or as thrillingly experimental as “Elephant.” Few filmmakers have straddled the mainstream and independent realms with such success (Steven Soderbergh would be another). But when a Van Sant film fails, it often fails spectacularly, as proven by “Even Cowgirls Get the Blues” and that notoriously pointless “Psycho” remake.

Rating: 3.5/5.0

CHICAGO – Sean Penn picks his roles carefully, and famously said he didn’t know what the story meant in “Tree of Life.” His attachment to “This Must Be the Place” continues the vague journey through movieland, as he plays a bizarre and aging rock star whose life is about to get interesting.

Rating: 3.5/5.0

CHICAGO – It’s incredibly rare to be able to say this – the third installment in a hit animated franchise could arguably be the best. “Madagascar 3: Europe’s Most Wanted” is certainly more fun, clever, and enjoyable than the last film in this series and probably holds its own against the original.

Rating: 4.5/5.0

CHICAGO – Wes Anderson’s “Moonrise Kingdom” is a true delight — a fun, clever, and, of course, whimsical tale about the days when love seemed worth running away from home over and getting a scout badge meant the world. Easily Anderson’s best film since “The Royal Tenenbaums,” “Moonrise” is arguably the most tonally consistent film he’s made to date, a thoroughly enjoyable endeavor that one would have to be pretty cynical to dismiss entirely.

Rating: 2.5/5.0

CHICAGO – The final 45 minutes of “Transformers: Dark of the Moon” are such an orgy of CGI insanity, falling skyscrapers, and battling robots that the film approaches some sort of summer movie nirvana, or at least it will for the right audience. There’s little debate that the Chicago-set climax of Michael Bay’s third film based on Hasbro’s line of toys delivers what it promises.

CHICAGO – Character comedies that actually have some depth and fun are as rare as boobs without silicone in Hollywood. “Miss Pettigrew Lives For a Day” reaches these heights with a sensibility of an old studio picture with stylized glamour, lovable rogues and at the center the great Frances McDormand as the title character taking a chance in 24 sparkling and event-filled hours.