Frances McDormand

Power of the Voice! On-Air Film Review of ‘Women Talking’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on December 29th, 2022, reviewing “Women Talking” a new film by adapter/director Sarah Polley, currently in theaters.

Bard Burner! On-Air Review of ‘The Tragedy of Macbeth’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on January 27th, 2022, reviewing the the adaptation of “The Tragedy of Macbeth” by Joel Coen, in select theaters now and streaming on Apple TV Plus.

Place in France! On-Air Review of ‘The French Dispatch’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on October 21st, 2021, reviewing the new Wes Anderson film, “The French Dispatch” in theaters beginning October 22nd.

The Beckoning Road! On-Air Review of ‘Nomadland’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on February 16th, 2021, reviewing the new film “Nomadland,” in theaters and streaming on HULU beginning February 19th, 2021.

Wes Anderson’s ‘Isle of Dogs’ is Inventive Delight

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Fans of director Wes Anderson will find plenty to love in his second stop motion animated feature (after “Fantastic Mr. Fox”), entitled “Isle Of Dogs.” It’s an immersive and intricately detailed story set in Japan, and features a dizzying array of visual gags, along with Anderson’s trademark whimsy.

‘Three Billboards Outside Ebbing, Missouri’ Examines Our Violence

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Film is often an expression of our society, either as a depiction of how it really is or how it should be. Few films are as daring as Martin McDonagh’s “Three Billboards Outside Ebbing, Missouri,” which isn’t afraid to show us the state of our society and offer a realistic solution through a grim drama that is as humorous as it is devastating.

‘Hail, Caesar!’ is Coen Bros. Excellence for Movie Lovers

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Writer/directors Joel and Ethan Coen love the movies, and that love is magnificently played out in “Hail, Caesar!” As they riff on religion, geopolitics and 1950s morality, while wonderfully celebrating and spoofing an era in movies that will never be again, the Coens abide and deliver.

‘The Good Dinosaur’ is Pixar Studio’s Most Ordinary Film

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The animation in Pixar Studio’s latest feature ,“The Good Dinosaur,” is nothing short of extraordinary. At times throughout the film, the images looked like they came right out of National Geographic, and I truly couldn’t believe i was watching animation. However, this delightful animation is in service to an undistinguished prehistoric buddy comedy that wouldn’t be out of place in an episode of “The Flintstones.”

Gus Van Sant’s ‘Promised Land’ Breaks Promise to Audiences

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – When a Gus Van Sant picture works well, it can be as rousing as “Milk” or as thrillingly experimental as “Elephant.” Few filmmakers have straddled the mainstream and independent realms with such success (Steven Soderbergh would be another). But when a Van Sant film fails, it often fails spectacularly, as proven by “Even Cowgirls Get the Blues” and that notoriously pointless “Psycho” remake.

Strange, Beguiling Sean Penn in ‘This Must Be the Place’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Sean Penn picks his roles carefully, and famously said he didn’t know what the story meant in “Tree of Life.” His attachment to “This Must Be the Place” continues the vague journey through movieland, as he plays a bizarre and aging rock star whose life is about to get interesting.

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