Bryce Dallas Howard

Rating: 2.0/5.0

CHICAGO – Intelligence goes extinct in this supremely dopey sixth installment of the Jurassic Park franchise. Not even the reunion of original stars Sam Neill, Laura Dern and Jeff Goldblum can counteract the law of diminishing returns and a lack of focus behind the camera as the film turns Dino after Dino into a deadening drumbeat of dull destruction.

Rating: 2.5/5.0

CHICAGO – As a wee lad, one of the first records I bought was Elton John’s Greatest Hits. The album was magnificent, each song expressing the very emotion it sought to deliver. With that basis in mind, I approached John’s biopic “Rocketman” with a hope of deliverance. It felt flatter than a pancake under a steam roller.

Rating: 4.0/5.0

CHICAGO – For a franchise celebrating its 25th Anniversary, with three original films and on its second reboot, the dinosaurs-living-on-modern-earth dynamic would pretty much be played out. But after a shallow first reboot, “Jurassic World: Fallen Kingdom” takes on a more classical approach, and returns to form.

Rating: 3.0/5.0

CHICAGO – The relish that Matthew McConaughey displays in creating his latest character in “Gold,” a Willy Loman-type mining exec who is looking for his biggest score, is most of the reason to experience the film. However, there isn’t exactly a motherlode when it comes to the story.

Rating: 4.0/5.0

CHICAGO – Blockbuster films are obsessed with bigger, louder and faster. They often think they need to spend more money to outdo what they’ve done before – especially when coming from a beloved original like “Jurassic Park”.

Rating: 4.0/5.0

CHICAGO – Jonathan Levine’s “50/50” is a daring blend of buddy comedy, light romance, family drama, and, oh yeah, cancer movie. The tightrope act of a script by Will Reiser is elevated in remarkable ways by one of the best ensembles of the year, led ably by the great Joseph Gordon-Levitt, doing career-best, Oscar nomination-worthy work.

Rating: 3.5/5.0

CHICAGO – Using fiction to express the importance of real historical events is seductive and sometimes disingenuous. The new film “The Help” manages to counteract that notion through high level, emotional performances.

Rating: 4.5/5.0

CHICAGO – Clint Eastwood’s “Hereafter” is a dramatic examination of a subject rarely dealt with in American cinema with even an ounce of honest emotion: What happens after we die.

Rating: 3.0/5.0

CHICAGO – Easily the best entry in the franchise, “The Twilight Saga: Eclipse,” finally allows those of us unfamiliar with the books by Stephenie Meyer to understand why the saga of the vampire, the wolf, and the sullen girl in the middle has become an international phenomenon.

CHICAGO – At the heart of every great film is a good conflict. In Spidey’s third advent, his heart is venomously conflicted and so is the film.

The film gets gargantuan props on its special effects. Of course, the entertaining visual acuity is expected and is no surprise.