Focus Features

CHICAGO – Re-imagining, almost re-engaging the evil of the Holocaust has been thoroughly examined in film for years. “The Debt” looks at another angle, that of revenge and how much that revenge can wreak havoc on the truth.

CHICAGO – In the sure hands of director Lone Scherfig, the underrated film “An Education” brought Carey Mulligan to full light. Anne Hathaway and Jim Sturgess generate similar radiance in Scherfig’s new film, “One Day.”

CHICAGO – Director Lone Scherfig has a rare delicate touch when it comes to portraying the subtlety of human relationships in films. After a triumph in 2009 directing Carey Mulligan in “An Education,” Scherfig returns with Anne Hathaway in the new film “One Day.”

CHICAGO – When the matriarch of a family dies, the void can create dynamic shifts or imbalance for those left behind. Pair that turmoil with the announcement that a surviving father is gay, and the atmosphere is created for the new film “Beginners.”

CHICAGO – You won’t be able to take your eyes of Saoirse Ronan in Joe Wright’s action film “Hanna,” a visceral thrill ride that’s likely to be a more satisfying experience than most of the action blockbusters that will fill the multiplex as the temperatures rise.

CHICAGO – Film adaptations of classic literature are often lose-lose scenarios. The ardent admirers of the source often sour on what is left out, and the average filmgoer might wonder what the fuss is about when experiencing a truncated interpretation. There is obvious passion behind the latest adaptation of “Jane Eyre,” with performances that follow that lead.

CHICAGO – In ancient times, history was at the end of a sword point and edge of the world. “The Eagle” tells of a Roman Empire battle in those times, and Channing Tatum plays a general bent on restoring his family name.

CHICAGO – Sofia Coppola’s “Somewhere” is her most lyrical film, a work that feels not unlike Gus Van Sant’s “Last Days” or “Elephant” in its liberal use of long takes, huge gaps in dialogue, and real-time scenes that seem to go nowhere.

CHICAGO – Though “It’s Kind of a Funny Story” is the third feature film from Ryan Fleck and Anna Boden, it’s the duo’s first picture that feels like it was made by first-time filmmakers. While their previous two features, “Half Nelson” and “Sugar,’ were entrenched in documentary realism and exuded the assurance and nuance of master filmmakers, this latest effort feels oddly programmed for mainstream consumption.

CHICAGO – What if the most dangerous and pursued assassin in the world began to develop a flaw in his delivery, due to the vulnerability of simple human contact? Where does religion, carnality and love fit in that connection? George Clooney plays that assassin-type in “The American,” holed up for one more job, the job that might answer both of those questions.