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Theater Review: Real Chicago in Timeline Theatre’s ‘The Front Page’

The Front Page, Timeline Theatre

CHICAGO – The popular image of the newspaper reporter screaming into the phone with a hot scoop most likely began with the popular and oft-produced stageplay, “The Front Page.” Timeline Theatre of Chicago presents an essential restaging of the classic with superior attention to period detail.

Theater Feature: Casts of ‘Hair,’ ‘Million Dollar Quartet’ Benefit Marriage Equality

Be-In for Marriage Equality

CHICAGO – The casts of two current theater spectaculars in Chicago lent their talents to benefit Marriage Equality in the United States. The “Be-In for Marriage Equality” took place on March 14, 2011, and featured performers from the road show Broadway version of “Hair” and the current cast of “Million Dollar Quartet.”

Theater Review: Magnificent ‘Macbeth’ at the Chicago Shakespeare Theater

Macbeth, Chicago Shakespeare Theater

CHICAGO – One of the jewels of Chicago is right on Lake Michigan. The Chicago Shakepeare Theater within Navy Pier continues to illuminate the immortal Bard resplendently for contemporary audiences. “Macbeth,” playing through March 5th, is part of their ‘Short Shakespeare!’ series.

Theater Review: ‘Rock of Ages’ Ain’t Nothin’ But a Good Time

The cast of 'Rock of Ages'

CHICAGO – “I wanted to explore deep, thoughtful theatre,” deadpans a giddily vitriolic narrator, played here in a last minute swap-out by Mitchell Jarvis, during the eleventh hour of “Rock of Ages”. Although referring to any aspect of this rollicking, trenchantly self-aware jukebox ride in classical terms may either be mawkishly generous or downright offensive to its recalcitrant intent.

Theater Review: ‘Shrek the Musical’ Still in the Swamp

The company of 'Shrek the Musical'

CHICAGO – “Fairytales should really be updated,” muses the puckish Shrek during a final plea for the affections of a reluctant princess. It is one of those startlingly honest and quietly irreverent insights that “Shrek the Musical” is all too wary to boast, but is a welcome dagger into the cavalcade of childhood morality tales that, year after year, infiltrate the bulk of shooting star wishes and Barbie dream-houses.

Theater Review: Bailiwick Chicago Rediscovers a Buried ‘AIDA’

Bailiwick Chicago's "AIDA"

CHICAGO – When the initial production of Elton John and Tim Rice’s “Aida” made its foray to the Broadway stage, following what was surely a tempestuous artistic adolescence, the public hurrah with which it was met signaled the birth of two eminent stage relations. First, that of John’s with both Broadway and West End investors, a collaboration that has far outstretched the boundaries set forth by “The Lion King”.

Theater Review: ‘Sins of Sor Juana’ is Hollowed History

"Sins of Sor Juana"

CHICAGO – Lauded as the first great poet of Latin America, Sor Juana Inés de la Cruz served as both an artistic and philosophical trailblazer in the most consequential of orders. A self-instructed scholar of Baroque thought, Sor Juana piloted a course of unprecedented intellect as well as feminist ideology during her brief years. What has rightfully garnered the scribe a nonpareil reverence was her audacity to posit such work in a time of a most restrictive piety.

Theater Review: Beguiling ‘Lookingglass Alice’ Tumbles Back Down the Rabbit Hole

Cast of "Lookingglass Alice"

CHICAGO – “It really doesn’t matter which direction you go,” counsels one of Wonderland’s mischievous denizens at the onset of Alice’s most transmogrifying of journeys. For David Catlin, the cunningly innovative adaptor and director of Lookingglass Theatre’s take on Lewis Carroll’s treasured canon, it matters not whether the real Alice Liddell traveled upward, downward, backward or sideways on the famed rowing boat trip that would later bear her whimsical stories. At Lookingglass, adventure is the only direction worth taking.

‘Suicide, Incorporated’ Explores Mortality’s Worth, Will

"Suicide, Incorporated"

CHICAGO – The eponymous subject matter of Andrew Hinderaker’s enthralling new work “Suicide, Incorporated” is hardly a newfangled muse to dramatists. The concept of one’s self-sanctioned execution has inspired the minds of media architects from Poe to the executives at Lifetime Television Network (the latter of which tends to default to the exertion habitually). The question of an individual opting to terminate his life, especially when the meaning of which plagues the majority of us, is nary an easy one. Hinderaker’s take on the matter, both in stylized approach and explication, proves to be one of the most cerebrally exigent of the lot.

Theater Review: Our Sins, Joys Are Exposed in Rodez’s ‘The Big Funk’

"Big Funk, The" Rodez Productions

CHICAGO – There are moments of true clarity in John Patrick Shanley’s “The Big Funk,” presented by Rodez Productions at the Red Tape Theater in Chicago. Characters who find themselves trapped in a metaphoric morass work through the issues that bind them, and expose themselves to a bigger sense of life’s intention.

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  • Monica Raymund on set for 'Tanya'

    CHICAGOTV fans know Monica Raymund as paramedic Gabby Dawson on the long-running “Chicago Fire.” But the talented actor is expanding her range, debuting her first film as director, “Tanya,” at the Midwest Independent Film Festival on Tuesday, August 1st, 2017. The short film – written by Sam Forman – will be part of “Female Filmmakers Night” at the Midwest Indie, and is part of Raymund’s involvement with Hidden Tears Project, an organization dedicated to raising consciousness by creating media on gender inequality, sexual abuse and human trafficking.

  • They're Playing Our Song

    CHICAGO – During the late disco era of the 1970s, an unusual musical opened on Broadway. Essentially a two person stage play, “They’re Playing Our Song” involved a songwriter and a lyricist who develop a stronger connection than just writing partners. The always passionate Brown Paper Box Co. of Chicago has unearthed this chestnut with a bright and fun revival at the Rivendell Theatre through August 20th, 2017.

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