Voice of Homer Simpson Pedals With ‘The Bicycle Men’ For Chicago Tour de Force

HollywoodChicago.com — Thu, 13 Dec 2007 09:57:26 -0700

CHICAGO – Frantic and fantastically funny, the musical-comedy play “The Bicycle Men” invades Chicago again for a limited run at the Lakeshore Theater this time featuring the man – Dan Castellaneta – who is best known as the voice of TV’s Homer Simpson.

“The Bicycle Men”.
Photo credit: The Lakeshore Theater
The show, which originated with Castellaneta’s co-stars (Mark Nutter, John Rubano and Joe Liss) as “Le Comedie du Bicyclette” at the Los Angeles ImprovOlympics in April 2003, had a long run in Chicago that same year.

Loosely structured around a nebbish American (Castellaneta) and his bicycle tour of the French countryside, Nutter, Rubano and Liss play multiple characters designed to insanely disrupt the journey.

Set in a bicycle shop, youth hostel, restaurant, movie theater and most weirdly a talent show cabaret, each location inspires another surreal sketch with a musical number. Accompanied on piano by the multi-talented Nutter, Castellaneta and company sing a “Cynic’s Lullaby” and odes to “Fake Breasts,” “White Guys” “Church Barn” and most succinctly “Musical Hetero”.

Castellaneta – with his everyman demeanor – is perfectly cast as the ugly American content to play the straight man around the mad swirl of the other three crazies. Liss shines especially as a Marcel Marceau-type mute (in a Dana Carvey wig), a Dutch traveler who sings himself to sleep and an expert in the subtleties of dog poop.

Rubano is the glue of the show as the metaphoric bicycle god, and with his other characters, he steals every scene he chews.

His Texan-American ways with a happy physical abnormality would make George Bush proud while his turn as a puppet competes with Pinocchio. Playing a force of nature named Chester Manchester, he had the audience in paralyzing laughter and produced more gales with each characteristic expression.

Dan Castellaneta.
Photo credit: IMDb
The songs and choreography have a valid musical theater quality with standouts being the “White Guys” number with a boogie-woogie movement that is best described as spastic.

The brilliant song “Musical Hetero” – in which Castellaneta pleads that he is a straight man in a gay song-and-dance world – farcically manages to skew both ends of the orientation spectrum with several high kicks thrown in for added measure.

For fans of “The Simpsons,” it was also interesting to listen to Castellaneta’s natural speaking and singing voice and detect the familiar rhythm behind so many voices in that legendary series.

This play is outrageously off-kilter even down to the scene transitions where the players use broad physical comedy to transcend time and space. The men on stage have great fun with a loose, improvisational style that buries the laugh meter in the red zone and takes the audience along on their audacious bicycle ride.

As Homer Simpson himself once said: “I love legitimate thee-ay-ter.”

“The Bicycle Men” has a limited run through Dec. 16 at
the Lakeshore Theater in Chicago at 3175 N. Broadway.
Phone 773-472-3492 for tickets or click here.

By Patrick McDonald
Staff Writer
HollywoodChicago.com

Changes on Horizon For Chicago-Native Conan O’Brien Writer Kevin Dorff

HollywoodChicago.com — Mon, 19 Nov 2007 09:25:11 -0700

CHICAGO – Kevin Dorff spent his Sunday in Chicago kicking back and watching the Bears game.

Jim Zulevic and Kevin Dorff (on right) at Second City.
Photo credit: Second City
A Chicago native and Emmy Award-winning writer for “Late Night with Conan O’Brien” for seven years, the current WGA strike has shut down production and provided him something of a forced vacation.

For nearly a week, he has been back in the city that started his career when he first began taking classes in the early 1990s at what was then called Improv Olympic (now iO).

Within a few years, he was performing on Second City’s main stage.

On Tuesday night, Dorff will be performing alongside Horatio Sanz, Matt Walsh, Ed Furman and others at the Lakeshore Theater for “Horatio Sanz and the Kings of Improv,” which is presented by the Upright Citizens Brigade.

“These guys just love to play,” Dorff said – speaking of the ensemble – in an interview with HollywoodChicago.com.

He has performed with them all many times in New York, Los Angeles and Chicago over the last decade. Dorff added: “Matt and Horatio would just upend some milk cartons and perform on them. That might be a new show we’re working on. I don’t know.”

All of the performers have a connection to Chicago and originally were seen on the stages of Second City, iO, the Annoyance and other comedy clubs around town. In New York, the players can be seen regularly at the UCB Theatre as part of Sunday night’s ASSSSCAT Improv show.

Horatio Sanz.
Photo credit: iO West
Tuesday’s show will closely follow the Armando Diaz Experience format for improvisation made popular at iO.

Originally created by Adam McKay, David Koechner, Dorff and the namesake Armando Diaz, the “experience” is an improvised long-form show based on a performer’s personal monologues. Who will be doing the monologues on Tuesday has yet to be decided.

“It’s not very structured,” Dorff said. “We’re really good at working together. We’ll rely on what we’re feeling at the time. We might do a shared monologue experience and bring a lot of order out of that.”

He bases everything on what he learned training with iO founders Charna Halpern and Del Close. Dorff finds himself working with a lot of the same people again and again.

When Tina Fey was casting the pilot episode for the hit show “30 Rock,” she called on Dorff for a role in the cold opening. Robert Smigel knew Dorff from working together on Conan O’Brien’s show and cast him in an episode of “TV Funhouse”.

Even some of the other writers on “Late Night” were on Dorff’s first improv team in Chicago. Other work comes the old-fashioned way: auditioning. Last summer, Dorff called in to meet with famed comedy casting director Allison Jones for this season of “The Office”.

The result was a role as an ex-client of Dunder Mifflin who was unimpressed with character Michael Scott’s gift basket. Writing for “Late Night,” however, takes up 50 to 60 hours a week and the majority of Dorff’s time. He’s not complaining.

Frank Caeti (MADtv, on left), Armando Diaz and Kevin Dorff (on right).
Photo credit: ImprovMatchGame.com
“We love what we do. We’re happy to go in early and stay late. We’re happy to sleep on couches in our offices,” explains Dorff of his life before the writer’s strike, which began on Nov. 5.

He admits to only having an anthill view of the complex currently between the WGA and the major studios.

Dorff added: “What some people forget is that nothing going on. Nothing is being made and it’s affecting everyone down to the PAs and interns who are trying to learn about what it’s like to work in this business.”

Of the more than 10,000 members of both branches of the writer’s guild, only a few hundred are comedy writers.

“It’s weird how serious these [comedy writers] are taking this,” Dorff said as he became more dynamic on the subject. He says the frustration comes from not being able to do what you love.

“It has been a long time since the contract has been updated,” Dorff said. “It’s based on a VHS-rental model. They need to bring it in line with the current generation of media. I can’t even find a Blockbuster [any more]. Can you? I hope [the strike is] as short as however it can be.”

WGA negotiations are set to resume on Nov. 26. Beyond that, there are changes on the horizon for Dorff’s career at “Late Night”.

Matt Besser and Amy Poehler.
Photo credit: iO West
Ever since it was announced that Conan O’Brien would be taking the reigns of the “Tonight Show with Jay Leno” when Leno steps down in 2009, it has spawned questions about changes in everything from the content and location.

“You’d have to ask [NBC Universal President] Jeff Zucker about that,” Dorff said while explaining that all the decisions are to be worked out with the producers of the show. The writers are only more concerned with the day to day.

Dorff added: “We do shows five nights a week. When we go in on Monday, we have no idea what’s happening on Thursday much less in 2009.”

Dorff instead puts his faith in Conan O’Brien. He added: “Conan’s instincts are great,” Dorff said as he described his admiration of the host and executive producer as a comedy writer. “His work ethic is infectious. He makes people motivated.”

Right now, though, he is more concerned with being back in his hometown and performing with old friends. Last week, Dorff, Rachel Dratch and Tim Meadows sat in on an improv set at Second City after doing a panel at the Chicago History Museum.

When the rest of the kings of improv are in town and they meet up for dinner, they might decide to make an impromptu appearance at iO. After all, these are people who just love to play.

“That’s the best thing about being in Chicago,” Dorff said. “People just pull up their sleeves and get to work.”

Kevin Dorff will be performing with “Horatio Sanz and the Kings of Improv” on Tuesday, Nov. 20 at the Lakeshore Theater in Chicago. Tickets are available here or by calling 773-472-3492.
By Dustin Levell
Senior Staff Writer
HollywoodChicago.com