CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”
CHICAGO – The United States is still fighting the Civil War, which ended in 1865. The rebellious South has never completely given away its anger and sorrow for the changes the war has wrought on them. These larger themes are examined historically in the new film, “Free State of Jones.”
CHICAGO – “Dawn Of The Planet Of The Apes” just goes to show you can have the most expensive and best looking visual effects money can buy, but it doesn’t mean a damn thing if you haven’t got a good tale to tell.
HollywoodChicago.com Hookup: 30 Pairs of Passes to ‘Dawn of the Planet of the Apes’ With Gary OldmanSubmitted by HollywoodChicago.com on July 6, 2014 - 2:35pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 30 pairs of advance-screening movie passes up for grabs to the highly anticipated “Dawn of the Planet of the Apes” starring Gary Oldman and Keri Russell!
CHICAGO – One of the most incorrect assumptions in literature iconography is the focus on Jane Austen as a purely romantic writer – skipping the depth of character, humor and cynicism in her work, for the sake of mooning over “Mr. Darcy.” The new film “Austenland” continues this trend.
CHICAGO – The 2013 Emmy nominations were announced this morning, leading to the natural hand-wringing and chest-beating over who missed the cut. Before we get to the most egregious snubs of the year, a few places where the Academy unexpectedly, happily got it right:
CHICAGO – For a good portion of its running time, Scott Stewart’s sci-fi spookfest “Dark Skies” flirts with the possibility of becoming an effective thriller. There are a handful of sequences fraught with palpable tension, yet it becomes apparent around the halfway mark that the filmmakers don’t have an original idea in their heads. There’s nothing here that hasn’t been done better in countless other pictures.
CHICAGO – FX has carved an impressive critical and commercial niche with hits like “Sons of Anarchy,” “The Americans,” “American Horror Story,” and “Louie” and they’re trying to add another success to their arsenal with tonight’s premiere of the highly-anticipated “The Americans,” starring Keri Russell, Matthew Rhys, and Noah Emmerich.
CHICAGO – With stars that have found critical success before on television in shows like “The Sopranos” (Michael Imperioli), “Arrested Development” (Will Arnett), and “Felicity” (Keri Russell) there was reason to be excited around a year ago when it came to “Detroit 1-8-7” and “Running Wilde,” two shows with little in common other than the fact that their first seasons will be their only seasons and they were both recently released on DVD courtesy of Lionsgate.
CHICAGO – As special effects technology continues to become more advanced, filmmakers have found increasingly convincing ways of allowing actors to give dual performances in the same movie, and often in the same frame. This can be achieved in a variety of ways, from the exquisite trick photography in “Moon” to the seamless digital creation of the Winklevi in “The Social Network.”
CHICAGO – I love Will Arnett, Keri Russell, David Cross, and Mitchell Hurwitz. And yet, I don’t love “Running Wilde.” If you need any proof that quality television takes something more intangible than just getting talented people together, look no further than this sporadically-entertaining FOX sitcom, a show with more-than-enough talent to get over the common growing pains of the first few episodes of a sitcom if the ratings are strong enough to give it time to do so but is undeniably disappointing at the start.