Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.
CHICAGO – The release of the controversial new film from Lars von Trier, “Nymphomaniac: Vol. 1,” took place on March 21st. This is part of a two volume “Nymphomaniac” film series, featuring Uma Thurman, Willem Dafoe and Connie Nielsen. Photographer Joe Arce of HollywoodChicago.com offers Exclusive Portraits of all three cast members from past appearances in Chicago.
CHICAGO – Director and writer Lars von Trier creates exposure through his film art. He is unafraid to explore the very nature of being human, while at the same time revealing the very foibles of barriers to our nature – social structures, economies, religion and our own conceits in life. Lars von Trier’s latest barrier breaker is “Nymphomaniac: Vol. 1.”
Park City was abuzz on the final day with guesses as to what the secret screening known as “Film X” would be on Tuesday night. Could it be Wes Anderson’s “Grand Budapest Hotel”? Maybe “Foxcatcher,” which was almost done in time for awards season and so may be now? “Snowpiercer”? The new Kevin Smith? “Star Wars, Episode VII”?
CHICAGO – Hollywood stuntwoman Zoë Bell is best known for an acting bit she did in Quentin Tarantino’s “Death Proof,” playing “herself.” Otherwise she has had a prolific career doubling on stunts for Lucy Lawless, Sharon Stone and Uma Thurman, among others. She attended the 49th Chicago International Film Festival last weekend to premiere her new film, with director Josh C. Waller, called “Raze.”
CHICAGO – When will the movie universe stop lionizing the upper middle class and their “problems” as a standard for storytelling? The idiotic crawl of “Playing for Keeps” is a prime example of that style, a sad exercise in contradictions that pass for narrative. Gerard Butler, Jessica Biel, Dennis Quaid and Catherine Zeta-Jones get punked by the script.
HollywoodChicago.com Hookup: 40 Pairs of Passes to ‘Playing For Keeps’ With Gerard Butler, Jessica BielSubmitted by HollywoodChicago.com on November 30, 2012 - 12:24am
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of movie passes up for grabs to the advance screening of the new romantic comedy “Playing For Keeps” with Gerard Butler!
CHICAGO – Oliver Stone is back! In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 admit-two movie passes up for grabs to the advance screening of the highly anticipated new Oliver Stone film “Savages”!
CHICAGO – Robert Pattinson is such a divisive actor. While he’s clearly one of the most popular young stars in the world thanks to his work in the “Twilight” films, he has yet to prove to most people that he can really act. While some who have seen David Cronenberg’s upcoming “Cosmopolis” claim that this will be the film that finally allows Pattinson to break out of the franchise that has defined him, we’re stuck with something far lesser for now, the misguided and depressing “Bel Ami,” a film that does nothing to help the critical reputation of the man otherwise known as Edward Cullen.
CHICAGO – I’m old enough dear readers to vividly remember Quentin Tarantino’s premiere with “Reservoir Dogs” and then how much he took the world by storm with “Pulp Fiction,” a common choice for the best film of the ’90s. At the time, “Jackie Brown” seemed like a disappointment by comparison (how could it not?), but it is now widely respected and even beloved. These aren’t just good movies — they’re classics of their time. What more do you want from a pair of Blu-rays?
CHICAGO – How can the directorial debut of the Fonz’s son slip by unnoticed during its initial theatrical run? Max Winkler was only 25 when he shot “Ceremony,” a film dismissed by many critics as a mere imitation of Wes Anderson’s “Rushmore.” To be fair, Winkler looks remarkably like the iconic filmmaker, and his premise does bear certain similarities to Anderson’s widely celebrated 1998 comedy.