HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Anton Yelchin

Visual Excess Dims ‘Star Trek Into Darkness’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The anticipation of experiencing the rebooted crew of the starship Enterprise now may overwhelm any creative team’s ability to deliver to that anticipation. “Star Trek Into Darkness” piles on the space war excess, while lessening the savory humanity and memorable characters.

Studio Ghibli Gives Fans Sweet ‘From Up on Poppy Hill’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The torch is being passed at Studio Ghibli from the great Hayao Miyazaki (“Princess Mononoke,” “Spirited Away”) to his son Goro, who directs this week’s tender “From Up on Poppy Hill,” certainly not one of the best in the Ghibli canon but a well-made, enjoyable melodrama nonetheless. A full awareness that it’s kind of a cheap melodrama (one of the characters even says so) doesn’t change the fact that it is but the young Miyazaki’s visual palette is notably beautiful and the voice work is strong throughout.

Clever, Fun Adventures of ‘The Pirates! Band of Misfits’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “The Pirates! Band of Misfits” has that incredible Aardman energy and elegance of works like “Wallace & Gromit” and “Chicken Run” along with some of the best voice work you’ll hear in an animated film all year.

‘Like Crazy’ Exposes Sweet Sorrow of Young Love

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The young love affair, that first one that breaks through the heart, mind and biological objectives, is the memory that never really goes away. Sometimes it works out for a lifetime, sometimes it ends. Anton Yelchin and Felicity Jones play out this oft-remembered experience in “Like Crazy.”

Clever, Scary ‘Fright Night’ Remake With Colin Farrell

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The word remake sends an understandable chill down the spine of most horror fans. We’ve been subjected to so many retreads and reboots and the batting average of quality has been pathetically low. And yet, there are exceptions including Zack Snyder’s “Dawn of the Dead” and David Cronenberg’s “The Fly.”

Mel Gibson Delivers in Jodie Foster’s Daring ‘The Beaver’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – What does it take to crawl out of a hole so deep that you can no longer see the sky? For some people, depression isn’t just a bad mood or an off day, it is as debilitating as a disease, and it can kill. One such man is Walter Black (Mel Gibson), and the unusual way that he survives his affliction is chronicled in the fascinating, memorable, accomplished “The Beaver.”

Christian Bale, Sam Worthington in McG’s Disappointing ‘Terminator: Salvation’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGOMcG’s loud-and-annoying “Terminator: Salvation” with Christian Bale and Sam Worthington continues the summer of non-Trek disappointments, delivering nothing but a bloated exercise in CGI overload. With awful dialogue, a ridiculous plot, and mostly uninspired performances, the interesting human element has been drained from the franchise. The machines have won.

Pure Summer Entertainment Lives on in J.J. Abrams’ ‘Star Trek’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – It will be a stunning surprise if the summer of 2009 produces another slice of movie entertainment as satisfying and well-made as J.J. Abrams rollicking “Star Trek” reboot, a film that not only delivers on high expectations but shatters them by clicking on every single level.

Hot stories on the Web


Syndicate content

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

Advertisement


HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
referendum
tracker