We’re back! Did you survive the Oscars? Are you looking for something to watch on Blu-ray, DVD, or streaming service? We have a few options for you released right at the end of February or the beginning of March, including a couple great animated shows, a Best Picture nominee, an FX sitcom, and a mega-blockbuster. Pick your favorites. All five are worth a look.
I’ve only seen three movies since my last dispatch — Sundance is about finding the time to write whenever you have it and it just comes earlier today than it did yesterday — but one was a true gem. So I’ll be brief.
CHICAGO – I had notable problems with “The Hobbit: An Unexpected Journey” when it premiered in theaters but they were softened a bit when I saw it on Blu-ray and not in 3D nor 48 frames per second, two effects that I believe actually hurt the world designed by Peter Jackson in these films in that they make it look less artistic and faker than the standard HD image. Now I’m here to flop back again to the disappointed side with the extended edition of the film, one that runs WAY too long for a flick that was already too short.
CHICAGO – It’s a weird week at the video store (do they still have those?) or in the New Releases section of your favorite Video On Demand service. There’s some real junk that we’ll get to (“The Internship”) along with some flicks that are just too good not to break out into their own special Blu-ray reviews (“Before Midnight,” “The Conjuring” — both must-sees). And then there’s a unique array of catalog releases and TV seasons. Those could easily fall through the cracks if not for the informative What to Watch. All of these are new to Blu-ray, some for the first time and some in anniversary/special editions. At least one will grab your attention.
CHICAGO – Ang Lee won his second Oscar this year for his work on “Life of Pi” but he wasn’t even nominated for one of the best films of his career, the masterful “The Ice Storm,” recently upgraded to Blu-ray by Criterion and re-released on DVD. Few films from 1997 have held up more completely as Lee’s adaptation of the Rick Moody novel feels even more symbolically dense and accomplished. It’s a stellar drama, one of the best of the ’90s, and Criterion has loaded it down with special features.
CHICAGO – Changing showrunners often proves the kiss of death for comedies. If you watched the Dan Harmon-less fourth season of “Community,” NBC owes you an apology. And so hearing that “Wilfred” was going to tweak its behind-the-scenes staff by moving David Zuckerman from showrunner to exec producer and sliding writer/producers Reed Agnew & Eli Jorne into lead roles, there was reason for concern. Don’t worry.
CHICAGO – Can we end this 48fps nonsense now? Having seen “The Hobbit: An Unexpected Journey” in 3D/48fps, I found the film artificial and boring. At home, in traditional, flat HD, the movie works so much better.
CHICAGO – Rashida Jones has been a reliable co-star for years in films like “I Love You, Man” and TV shows like “The Office” and “Parks and Recreation” but she gets her most notable role to date in a film she co-wrote, the romantic dramedy “Celeste and Jesse Forever,” opening this weekend in Chicago. Jones’ complex performance is the best thing about a film that ultimately feels a bit too unfocused, almost as if Jones and her co-writer Will McCormack took the opportunity to use every idea they had about the art of the break-up without streamlining their concepts into something more coherent and entertaining.
CHICAGO – Actors Rashida Jones (“Parks and Recreation”) and Will McCormack (“Dirt”) dated a long time ago and have turned their break-up into an acclaimed new romantic dramedy, “Celeste and Jesse Forever.” Don’t be fooled by its title. Jones and McCormack’s film opens with Celeste (Jones) and Jesse (Andy Samberg) at the end of their marriage.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 25 admit-two movie passes up for grabs to the advance screening of the irresistible romantic comedy “Celeste and Jesse Forever”!
CHICAGO – I really wish I liked FX’s “Wilfred” more. It’s a decent show with elements of greatness (especially in Elijah Wood’s charismatic lead performance) that never quite clicks into something that finds its own potential. It’s like that stoner who tells you a joke that starts strong and eventually only becomes funny to him as he loses track of the punchline.