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Hugh Laurie

Awe Factor is Sorely Lacking in ‘Tomorrowland’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – For a movie all about the awesome power of inspiration, innovation and wonder, “Tomorrowland” has precious little of its own. “Tomorrowland” the title promises a kind of retro futuristic world where anything is possible, but “Tomorrowland” the movie rarely delivers anything approximating joy.

Aardman Studios Offers a Merry ‘Arthur Christmas’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Aardman Studios, the creators of the irrepressible “Wallace & Gromit” and the witty “Flushed Away” is back with another animated holiday treat, “Arthur Christmas.” Santa Claus and the gang are taken into the modern era, but the cheeky lads/lasses at Aardman can’t help but throw in a bit of whimsy and heart.

‘Hop’ is a Limp Skip, Jump For Russell Brand

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – A definitive cinematic exploration of the Easter Bunny story is precisely what the world is missing. Right? Anyway, the folks behind “Hop,” featuring the voice of Russell Brand as the rascally rabbit, has produced this heretofore missing piece of the film canon.

DreamWorks’ ‘Monsters vs. Aliens’ Has Great 3D Concept, But Falls Flat

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Hasn’t Pixar proven that animation can be more than just concept and celebrity voice work? The problem with “Monsters vs. Aliens” is that the team behind it clearly prioritized nearly every element of the film over actual storytelling.

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  • King and I, The

    CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.

  • New Country

    CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”

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